Homer's traditional art.

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Bibliographic Details
Author / Creator:Foley, John Miles Author.
Imprint:[Place of publication not identified] Pennsylvania State University Press 1999
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11247506
Hidden Bibliographic Details
ISBN:0271072415
9780271072418
Notes:Bibliographic Level Mode of Issuance: Monograph.
English.
Summary:In recent decades, the evidence for an oral epic tradition in ancient Greece has grown enormously along with our ever-increasing awareness of worldwide oral traditions. John Foley here examines the artistic implications that oral tradition holds for the understanding of the Iliad and Odyssey in order to establish a context for their original performance and modern-day reception. In Homer's Traditional Art, Foley addresses three crucially interlocking areas that lead us to a fuller appreciation of the Homeric poems. He first explores the reality of Homer as their actual author, examining historical and comparative evidence to propose that "Homer" is a legendary and anthropomorphic figure rather than a real-life author. He next presents the poetic tradition as a specialized and highly resonant language bristling with idiomatic implication. Finally, he looks at Homer's overall artistic achievement, showing that it is best evaluated via a poetics aimed specifically at works that emerge from oral tradition. Along the way, Foley offers new perspectives on such topics as characterization and personal interaction in the epics, the nature of Penelope's heroism, the implications of feasting and lament, and the problematic ending of the Odyssey. His comparative references to the South Slavic oral epic open up new vistas on Homer's language, narrative patterning, and identity. Homer's Traditional Art represents a disentangling of the interwoven strands of orality, textuality, and verbal art. It shows how we can learn to appreciate how Homer's art succeeds not in spite of the oral tradition in which it was composed but rather through its unique agency.
Other form:Print version: 0271018704
Review by Choice Review

A leading scholar in the field of the epic oral tradition, Foley (Univ. of Missouri, Columbia) provides a highly intelligent and intelligible work of synthesis and clarification. Drawing on some of his own previously published work and on a wide and expert knowledge of research in the field, the author focuses on the critical question of how the roots of the Homeric poems in an oral tradition affect the reader's appreciation of them as works of literature. Chapter titles include "Homer's Sign-Language, " "Homeric and South Slavic Epic," and "Reading Homer's Signs"; Foley concludes with a rereading of Odyssey 23. What impresses most in this study is the author's capacity for intelligent synthesis and compromise on subjects on which scholars have taken intensely competitive opposing positions over the decades. Foley shows how these competitive positions can actually work together toward the common and primary goal of a full understanding of the great Homeric poems. The main text will serve the needs of upper-level undergraduate students as well as advanced scholars; endnotes and appendixes contain material useful only to professional classicists. L. Golden; Florida State University

Copyright American Library Association, used with permission.
Review by Choice Review