Perplexities of consciousness /

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Bibliographic Details
Author / Creator:Schwitzgebel, Eric.
Imprint:Cambridge, Mass. : MIT Press, ©2011.
Description:1 online resource (xii, 225 pages) : illustrations
Language:English
Series:Life and mind : philosophical issues in biology and psychology
Life and mind.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11259657
Hidden Bibliographic Details
ISBN:9780262295338
0262295334
9780262296090
0262296098
0262525224
9780262525220
1283020149
9781283020145
9780262014908
0262014904
Notes:"A Bradford book."
Includes bibliographical references (pages 187-218) and index.
English.
Print version record.
Summary:In this book, the author examines various aspects of inner life (dreams, mental imagery, emotions, and other subjective phenomena) and argues that we know very little about our stream of conscious experience. In fact, he contends, we are prone to gross error about our ongoing emotional, visual, and cognitive experiences.
Other form:Print version: Schwitzgebel, Eric. Perplexities of consciousness. Cambridge, Mass. : MIT Press, ©2011 9780262014908
Review by Choice Review

Schwitzgebel (Univ. of California, Riverside) launches a sustained attack on the idea that people have extensive, accurate, introspective knowledge of experience. A commonplace is that introspection hides or distorts regions of the mind. Unconscious desires and repressed memories are fodder for daytime television. But Schwitzgebel claims that introspective access to current experience is susceptible to distortion and error. Full of fascinating examples and perplexing cases, this book will inform, delight, and sometimes infuriate readers. One such instance involves auditory experience, which seems readily and fully accessible. However, the phenomenon of combination tones reveals a puzzling failure of introspection: upon listening to sample tones (conveniently provided online), the listener will, typically, have the uncanny experience of initially failing to recognize a sound that is unmistakably present to consciousness. Apart from auditory experience, the book's discussion includes dream consciousness, visual experience, tactile experience, and more. One might fault this book for its lack of any definitive conclusion and for the failure to situate its findings within an overarching theory of consciousness. But that is more a reflection of the current state of consciousness studies than any fault of the author. Summing Up: Recommended. Lower-level undergraduates through researchers/faculty; general readers. W. Seager University of Toronto

Copyright American Library Association, used with permission.
Review by New York Times Review

A philosopher argues that we have a poor understanding of our conscious experience. A FEW days before a review of my latest book appeared in these pages, I wrote to my editor, saying I had seen an advance copy and how much I liked the color illustration of the yellow moon. He replied that I must be mistaken, since the Book Review doesn't use color. The next weekend he wrote to say he couldn't think what had come over him - he reads the Book Review every week, and had somehow not noticed the color. Odd. And yet these lapses can happen to the best of us. Ask yourself what the Roman number four on the face of the church clock looks like. Most people will answer it looks like IV, but almost certainly the truth is it looks like IIII. Why are we so bad at knowing - in this case remembering - what passes through our own minds? The philosopher Eric Schwitzgebel, in "Perplexities of Consciousness," contends that our minds, rather than being open-access, are largely hidden territory. Despite what we believe about our powers of introspection, the reality is that we know awfully little about what our conscious experience amounts to. Even when reporting current experience, we make divergent, confused and even contradictory claims about what it's like to be on the inside. Consider binocular double vision, for example. Hold your index finger a foot in front of your nose, and look to the horizon. Some will say they see two "ghostly" fingers, but others will be sure they see just one. Note that people don't disagree about the external facts - none of us think there's really more than one finger out there - rather, we disagree at a level one step back: our private sensory experiences. And Schwitzgebel finds further examples across the range of mental life. "Is joy sometimes in the head, sometimes more visceral, sometimes a thrill, and sometimes an expansiveness, or, instead, does joy have a single, consistent core - a distinctive, identifiable, unique experiential character?" We can't give a straight answer. "What exactly is my sensory experience as I stare at a penny?" Even in such a simple case, we can't agree. Now, you might suppose that a likely explanation for these disagreements is that different individuals have differently constituted brains, so they are not having the same experience to begin with. Indeed it has been discovered recently that some humans have three times as much brain cortex assigned to receiving information from the eyes as others do. And this must surely be influencing the quality of their experience somehow. Yet Schwitzgebel argues that brain differences, even if they exist, are probably beside the point. For there is plenty of evidence that people will give different interpretations of the very same events inside their heads. He begins with the curious case of color in dreams. When people today are asked whether they regularly dream in color, most say they do. But it was not always so. Back in the 1950s most said they dreamed in black and white. Presumably it can hardly be true that our grandparents had different brains that systematically left out the color we put in today. So this must be a matter of interpretation. Yet why such freedom about assigning color? Well, try this for an answer. Suppose that, not knowing quite what dreams are like, we tend to assume they must be like photographs or movies - pictures in the head. Then, when asked whether we dream in color we reach for the most readily available pictorial analogy. Understandably, 60 years ago this might have been black-and-white movies, while for most of us today it is the color version. But, here's the thing: Neither analogy is necessarily the "right" one. Dreams don't have to be pictures of any kind at all. They could be simply thoughts - and thoughts, even thoughts about color, are neither colored nor noncolored in themselves. This explanation is of a piece with Schwitzgebel's general line. We are fantasists about our own mental experiences because we have little other choice. When we are probed by questions beyond our introspective competence, we have to make the answers up as best we can. Schwitzgebel's message is very much in keeping with much writing in contemporary psychology that aims to knock us from our pedestals of Delphic self-assurance: to prove that we are, as Timothy Wilson says, "strangers to ourselves." This could all be true. We often do have trouble telling what's going on inside our minds. But still I can't say this is always because of feeble introspection. I suspect the real problem may be not that we know too little about our mental states but that we know too much. We are asked to say "what it's like" - to dream, to imagine, to feel - as if there ought to be a simple answer: colored or not, single or double, in the head or in the heart. But, when it comes to it, the rich totality of our experience will not fit the Procrustean bed that philosophy, and everyday discourse also, tries to impose on it. In the 1780s, Thomas Reid, a leading figure of the Scottish Enlightenment, chided his colleagues on just this score: for not appreciating the complex multilayered character of sensory experience. Reid argued that there are always two parallel threads to our experience: "The external senses have a double province; to make us feel, and to make us perceive." Sensation is how we represent sensory stimuli at the surface of our bodies - the mental representation of "what's happening to me"; perception, by contrast, is how we represent the outside world, "what's happening out there." And these two processes have dissimilar characteristics: sensation is raw and immediate, perception more categorical and slow. Question, then (it's one of Schwitzgebel's examples): When the lights go up on a complex scene, do we immediately "see" the whole scene? The answer can only be yes, and no. At the level of visual sensation, yes, it's all there, every part of the field, every stitch of the tapestry, seems to be filled in at once. But at the level of perception, no, our picture of what's out there in the world gets built up over seconds. "What exactly is my experience?" If exactly means simply, this question is one to which there's no good answer. REID complained that the habit of confounding sensation and perception "has been the occasion of most of the errors and false theories of philosophers with regard to the senses." While Schwitzgebel fails to pick up on the sensation-perception distinction where he should do, I'd say there is one consequence of it that could play right into his hands. For, remarkably enough, research has shown we don't actually need sensation to perceive. There is a clinical syndrome known as "blindsight," resulting from brain damage, where the subject - to to his own astonishment - finds he can "see" the properties of things he's looking at, even though all visual sensation has been lost. He may indeed be able to guess what color an object is, without, as it were, seeing the color in color. Could the existence of blindsight help resolve the paradox of the color - or lack of it - in dreams? Do we indeed "see blindly" in dreams? I think we may. We dream of Joseph, and weave him an amazing technicolor coat; yet, like the emperor, he is really wearing nothing but ideas. Nicholas Humphrey is school professor emeritus of psychology at the London School of Economics. His most recent book is "Soul Dust: The Magic of Consciousness."

Copyright (c) The New York Times Company [July 31, 2011]
Review by Publisher's Weekly Review

As a self-proclaimed skeptic, Schwitzgebel challenges the reliability of conscious experience-visual imagery, inner speech, sensory and even emotional experience-in this provocative follow-up to Describing Inner Experience?: Proponent Meets Skeptic (co-authored with Russel T. Hurlburt). Schwitzgebel debunks claims that introspection or meditation offer roads to truth and makes the controversial suggestion that our judgments about objects in the world around us are more secure than our attempts at self knowledge. To substantiate this he provides numerous examples, such as a perceived change in the color of dreams: reports from the `50s, when most films were black-and-white, and the `60s are vastly different. And, though most people are unaware of subliminal perceptions that can influence behavior, such as reflected sound (the method used by bats and the blind to navigate their surroundings), experiments show that the ability exits in sighted people as well. Ultimately Schwitzgebel sees a paradoxical situation; on the one hand, "introspection of current conscious experience is both (i) possible, important, and central to the development of a full scientific understanding of the mind and (ii) highly untrustworthy, a least as commonly practiced." Though fascinating, his latest tome is likely to be of most interest to professional philosophers and psychologists. (Mar.) © Copyright PWxyz, LLC. All rights reserved.


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