Genre in popular music /

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Bibliographic Details
Author / Creator:Holt, Fabian, author.
Imprint:Chicago : University of Chicago Press, 2007.
Description:1 online resource (xiv, 221 pages) : illustrations, portraits, music
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11261538
Hidden Bibliographic Details
ISBN:9780226350400
0226350401
1283097605
9781283097604
9786613097606
6613097608
0226350371
9780226350370
9780226350370
0226350371
9780226350394
0226350398
9780226720005
0226720004
9780226720012
0226720012
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 201-212) and index.
"The Jeff Parker discography": pages 181-183
Restrictions unspecified
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
English.
digitized 2010 HathiTrust Digital Library committed to preserve
Online resource; title from electronic title page (Chicago Scholarship Online, May 21, 2019).
Summary:Through a collection of case studies, the author examines why music categories and music genres are debated, and why the terms used to describe these categories and genres are always changing.
Other form:Print version: Holt, Fabian. Genre in popular music. Chicago : University of Chicago Press, 2007 9780226350370
Standard no.:9780226350370
Review by Choice Review

Likely to become required reading for those interested in popular music, this concise, thorough book examines the concept of genre (as opposed to style). Holt (Univ. of Roskilde, Denmark) begins with a clear introduction that defines the terminology of popular music studies, and then offers convincing case studies revealing the development of specific music genres in the 20th century. Although others have touched on issues of genre in popular music--e.g., Timothy Taylor in Global Pop (CH, Jun'98, 35-5577)--no one has examined it from this near-Straussian structuralist perspective. Scholars of popular music need to publish more titles like this in order to distinguish themselves from "urban ethnomusicologists." That said, just as Holt recognizes musical genre as "fluid" and "unstable," so too are the academic genres known as folklore, ethnomusicology, and popular music studies. One hopes that future works will focus on world- and art-music genres. The present volume includes photos, musical notations, notes, and extensive references. Summing Up: Highly recommended. Graduate students and researchers. A. C. Shahriari Kent State University

Copyright American Library Association, used with permission.
Review by Library Journal Review

Devoted to a current topic in musicology, Holt's (music & performance, Univ. of Roskilde, Denmark) book asks, What are music genres, why do people debate music categories and music classification so vehemently, and what current music genres' roots have become so indistinct that they are considered new genres altogether? He covers the history and impact of late 20th-century popular music-namely, rock 'n' roll, country, and jazz-and examines many relevant case studies, including the soundtrack to the film O Brother, Where Art Thou? Genre transformations such as the Nashville sound, jazz-rock fusion, and the influence of Jeff Parker and the Chicago jazz scene on the development of indie jazz round out the content. This work fills a void in current thought and development regarding popular American music and its influences, and it provides a unique perspective and grounded research. Recommended for public and academic libraries.-Bradford Lee Eden, Univ. of California Lib., Santa Barbara (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Choice Review


Review by Library Journal Review