The modern satiric grotesque and its traditions /

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Bibliographic Details
Author / Creator:Clark, John R., 1930- author.
Imprint:Lexington, KY : University Press of Kentucky, 1991.
©1991
Description:1 online resource (viii, 212 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11263169
Hidden Bibliographic Details
ISBN:9780813161358
0813161355
9780813117447
9780813156194
0813117445
Notes:Includes bibliographical references and index.
Restrictions unspecified
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive -- no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world.
Other form:Print version: Clark, John R. Modern Satiric Grotesque and Its Traditions. Lexington : The University Press of Kentucky, ©2015 9780813117447

MARC

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245 1 4 |a The modern satiric grotesque and its traditions /  |c John R. Clark. 
264 1 |a Lexington, KY :  |b University Press of Kentucky,  |c 1991. 
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505 0 |a Part 1. Dark Comedy. Deadly Laughter -- Satiric Gothic, Satiric Grotesque -- part 2. Stratagems. Degrading the Hero -- Debunking the Author -- Dislocating the Language -- Gaming with the Plot -- Further Intrusion and Obstruction -- Discordant Endings -- Infernal Repetition -- part 3. Themes. Ennui -- Scatology -- Cannibals -- Dystopias and Machines -- Entropy and Armageddon -- part 4. Conclusion. The Death of the Humanities. 
520 |a Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive -- no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. 
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650 0 |a Satire  |x History and criticism.  |0 http://id.loc.gov/authorities/subjects/sh85117646 
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