Interlinguicity, internationality, and Shakespeare /

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Bibliographic Details
Imprint:Montreal ; Ithaca : McGill-Queen's University Press, [2014]
©2014
Description:1 online resource (278 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11276101
Hidden Bibliographic Details
Other authors / contributors:Saenger, Michael, editor.
ISBN:9780773596894
0773596895
9780773596900
0773596909
9780773544734
0773544739
9780773544741
0773544747
Notes:Includes bibliographical references and index.
English.
Print version record.
Summary:"Languages have become more mobile than ever before, producing translations, transplantations, and cohabitations of all kinds. The early modern period also witnessed profound linguistic transformation, but in very different ways. Interlinguicity, Internationality, and Shakespeare undoes the illusion that Shakespeare wrote in what we now think of as English. In a series of essays approaching Shakespeare from thought-provoking perspectives, contributors from history, performance criticism, and comparative literature look at "interlinguicity," the condition of being between languages, and "internationality," the condition of being between countries. Each essay focuses on local issues, such as community identification in the Netherlands of Shakespeare's time and the appropriation of Shakespeare in German literature in the nineteenth century, to suggest that Shakespeare never wrote "in" English because English was not then, nor is it now, an intact, knowable system. Many languages existed in sixteenth-century London, and English did not have clear limits. Interlinguicity, Internationality, and Shakespeare helps to explain the hybridity that Shakespeare embraced in all his writing"--Provided by publisher.
Other form:Print version: Interlinguicity, internationality, and Shakespeare. McGill-Queen's University Press, [2014] 9780773544734

MARC

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245 0 0 |a Interlinguicity, internationality, and Shakespeare /  |c edited by Michael Saenger. 
264 1 |a Montreal ;  |a Ithaca :  |b McGill-Queen's University Press,  |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (278 pages) 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction / Michael Saenger -- Part One. The meaning of foreign languages. Shakespeare, Navarre, and continental history / Elizabeth Pentland -- "The Lady speaks in Welsh" : Henry IV, Part I as multilingual drama / Philip Schwyzer -- Where did the devil go? Religious polemic in the Dutch Reformation, 1580-1630 / Gary K. Waite -- Part Two. Difference within English. Loving and cherishing 'true English' : Shakespeare's twinomials / Scott Newstok -- Shakespeare's coining of words / Robert N. Watson -- Shakespeare's sound government : sound defects, polyglot sounds, and sounding out / Patricia Parker -- Continental sexuality and the auditory construction of early modern Englishness / Lauren Coker -- Introducing "Intrelinguistics" : Shakespeare and early/modern English / Paula Blank -- Part Three. Shakespeare and cultural voice. Monument, mountain, root : figures of translation, from Romeo to Julia / Brian Gingrich -- Shakespearean performance as a multilingual event : alterity, authenticity, liminality / Alexa Huang -- Afterword / James Loehlin. 
520 |a "Languages have become more mobile than ever before, producing translations, transplantations, and cohabitations of all kinds. The early modern period also witnessed profound linguistic transformation, but in very different ways. Interlinguicity, Internationality, and Shakespeare undoes the illusion that Shakespeare wrote in what we now think of as English. In a series of essays approaching Shakespeare from thought-provoking perspectives, contributors from history, performance criticism, and comparative literature look at "interlinguicity," the condition of being between languages, and "internationality," the condition of being between countries. Each essay focuses on local issues, such as community identification in the Netherlands of Shakespeare's time and the appropriation of Shakespeare in German literature in the nineteenth century, to suggest that Shakespeare never wrote "in" English because English was not then, nor is it now, an intact, knowable system. Many languages existed in sixteenth-century London, and English did not have clear limits. Interlinguicity, Internationality, and Shakespeare helps to explain the hybridity that Shakespeare embraced in all his writing"--Provided by publisher. 
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