Shelley's music : fantasy, authority, and the object voice /

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Bibliographic Details
Author / Creator:Vatalaro, Paul A.
Imprint:Farnham, England ; Burlington, VT : Ashgate, ©2009.
Description:1 online resource (205 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11281053
Hidden Bibliographic Details
ISBN:9780754694595
0754694593
9780754662334
0754662330
Notes:Includes bibliographical references and index.
Print version record.
Summary:Shelley's Music demonstrates that Shelley's desire to merge word, conventionally identified as masculine, with music and voice, conventionally identified as feminine, represents a fantasy designed to ensure the preservation of his authority by making his voice eternally present in his poetry. Recycling throughout his writing and characterized by deadlock and instability, Shelley's fantasy paradoxically supports an even more compelling desire to preserve his subjectivity and maintain his authority as poet.
Other form:Print version: Vatalaro, Paul A. Shelley's music. Farnham, England ; Burlington, VT : Ashgate, ©2009 9780754662334
Table of Contents:
  • Subjectivity and the self-present voice
  • Poetic authority and "interpassivity"
  • Sounding the "real"
  • Power, desire and poetics.