A history of the French new wave cinema /

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Bibliographic Details
Author / Creator:Neupert, Richard John.
Edition:2nd ed.
Imprint:Madison, Wis. : University of Wisconsin Press, ©2007.
Description:1 online resource (xxix, 408 pages) : illustrations
Language:English
Series:Wisconsin studies in film
Wisconsin studies in film.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11283014
Hidden Bibliographic Details
ISBN:9780299217037
0299217035
9781282594715
1282594710
9786612594717
6612594713
9780299217044
0299217043
Digital file characteristics:data file
Notes:Previous edition: 2002.
Includes bibliographical references (pages 383-394) and index.
Restrictions unspecified
Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212
English.
digitized 2010 HathiTrust Digital Library committed to preserve
Print version record.
Summary:The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma--especially François Truffaut, Claude Chabrol, and Jean-Luc Godard--who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Other form:Print version: Neupert, Richard John. History of the French new wave cinema. 2nd ed. Madison : University of Wisconsin Press, ©2007 9780299217044

MARC

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100 1 |a Neupert, Richard John.  |0 http://id.loc.gov/authorities/names/n88611182 
245 1 2 |a A history of the French new wave cinema /  |c Richard Neupert. 
250 |a 2nd ed. 
260 |a Madison, Wis. :  |b University of Wisconsin Press,  |c ©2007. 
300 |a 1 online resource (xxix, 408 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Wisconsin studies in film 
500 |a Previous edition: 2002. 
504 |a Includes bibliographical references (pages 383-394) and index. 
505 0 |a Cultural contexts : where did the wave begin? -- Testing the water : Alexandre Astruc, Agnès Varda, and Jean-Pierre Melville -- New stories, new sex : Roger Vadim and Louis Malle -- Claude Chabrol : launching a wave -- Francois Truffaut : the new wave's ringleader -- Jean-Luc Godard : Le petit soldat -- The cahiers du cinéma cohort : Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast -- On the new wave's Left Bank : Alain Resnais and Agnès Varda. 
588 0 |a Print version record. 
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533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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520 8 |a The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma--especially François Truffaut, Claude Chabrol, and Jean-Luc Godard--who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking. 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
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