Music and literary modernism : critical essays and comparative studies /

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Bibliographic Details
Imprint:Newcastle upon Tyne, UK : Cambridge Scholars Pub., 2009.
Description:1 online resource (vi, 260 pages) : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11284131
Hidden Bibliographic Details
Other authors / contributors:McParland, Robert.
ISBN:9781443802246
1443802247
1282029789
9781282029781
1443814024
9781443814027
Notes:Includes bibliographical references.
Print version record.
Summary:In Music and Literary Modernism, the intersections of music, literature and language are examined by an international group of scholars who engage in studies of modernist art and practice. The essays collected here present the significant place of music in the writing of T.S. Eliot, Ernest Hemingway, James Joyce, James Weldon Johnson, Mina Loy, Stephen Mallarme, Ezra Pound, Marcel Proust, Gertrude Stein, Wallace Stevens and Virginia Woolf, as well as the importance of literary art for composer ...
Other form:Print version: Music and literary modernism. Newcastle upon Tyne, UK : Cambridge Scholars Pub., 2009 9781904303534
Standard no.:9786612481321

MARC

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245 0 0 |a Music and literary modernism :  |b critical essays and comparative studies /  |c edited by Robert P. McParland. 
260 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Pub.,  |c 2009. 
300 |a 1 online resource (vi, 260 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references. 
588 0 |a Print version record. 
505 0 |a TABLE OF CONTENTS; INTRODUCTION; I; THE SONORITY OF LANGUAGE IN LITERARY AND MUSICAL MODERNITY; SOUNDS LIKE NOW; BOULEZ, JOYCE, MALLARMÉ; II; 'WITHIN A SPACE OF TEARS'; "DEAR EZZROAR," "DEAR ANTHILL"; "NOT JUST TANGLE AND DRIFT"; THE SOUND OF AN IDEA; MUSICAL AND IDEOLOGICAL SYNTHESIS IN JAMES WELDON JOHNSON'S THE AUTOBIOGRAPHY OF AN EX-COLORED MAN; OPERA, MATERNAL INFLUENCE, AND GENDER IN ERNEST HEMINGWAY'S THE ASH HEEL'S TENDON; MUSIC; III; UNSTABLE METAPHORS OF DIVINITY; SILENT MUSIC IN JAMES JOYCE'S SIRENS; IV; T.S. ELIOT AND UBIQUITOUS MUSIC, 1909-1922; THE BEATLES AS MODERNISTS. 
505 8 |a FOR FURTHER READINGCONTRIBUTORS; NOTES. 
520 |a In Music and Literary Modernism, the intersections of music, literature and language are examined by an international group of scholars who engage in studies of modernist art and practice. The essays collected here present the significant place of music in the writing of T.S. Eliot, Ernest Hemingway, James Joyce, James Weldon Johnson, Mina Loy, Stephen Mallarme, Ezra Pound, Marcel Proust, Gertrude Stein, Wallace Stevens and Virginia Woolf, as well as the importance of literary art for composer ... 
650 0 |a Music in literature.  |0 http://id.loc.gov/authorities/subjects/sh94006709 
650 0 |a Modernism (Music)  |0 http://id.loc.gov/authorities/subjects/sh2004014988 
650 0 |a Modernism (Literature)  |0 http://id.loc.gov/authorities/subjects/sh85086446 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a Modernism (Literature)  |2 fast  |0 (OCoLC)fst01024455 
650 7 |a Modernism (Music)  |2 fast  |0 (OCoLC)fst01736351 
650 7 |a Music in literature.  |2 fast  |0 (OCoLC)fst01030552 
655 4 |a Electronic books. 
655 0 |a Electronic books. 
700 1 |a McParland, Robert.  |0 http://id.loc.gov/authorities/names/n2004152139 
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