English Gothic misericord carvings : history from the bottom up /

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Bibliographic Details
Author / Creator:Chunko-Dominguez, Betsy, author.
Imprint:Leiden ; Boston : Brill, [2017]
Description:x, 187 pages : illustrations ; 25 cm
Language:English
Series:Art and material culture in Medieval and Renaissance Europe ; volume 9
Art and material culture in Medieval and Renaissance Europe ; v. 9.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11290286
Hidden Bibliographic Details
ISBN:9789004341180 (hardback : alk. paper)
9004341188 (hardback : alk. paper)
Notes:Includes bibliographical references (pages 160-181) and index.
Summary:English Gothic Misericord Carvings: History from the Bottom Up' by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord?s several potential audiences? including patron, craftsman, occupant of the seat, and modern viewer. 0Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes?center? and?margin? as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.
Other form:Online version: Chunko-Dominguez, Betsy, author. English Gothic misericord carvings Boston : Brill, 2017 9789004341203
Table of Contents:
  • Acknowledgments
  • List of Illustrations
  • Notes on Permissions
  • List of Abbreviations
  • Introduction: History from the "Bottom Up"
  • 1. Meaning(s) and Medieval Misericords
  • Literacy and the Viewer
  • An Iconographic Dilemma
  • Signa and Res
  • The Case for Hybridity
  • 2. Violent Women and the Clerical Gaze
  • Touch and Trope
  • "Wykked Wyves"
  • The Clerical Gaze
  • 3. The Abject and Uncanny Human Form
  • Illness and Abjection
  • Scatology and Obscaena
  • Ungodly Peoples
  • Conflated Realities
  • 4. The Subject as Sign: Iconography of the Lay Classes
  • Images and Fiction
  • At Home and in the Fields
  • "Folk" Iconography
  • Peasants Behaving Badly
  • 5. Image and Anxiety: Iconography of Hell and Damnation
  • To Partake with Devils
  • Dark Visions, Corporeal Fears
  • Doleful Realities
  • Afterword: The Vanishing Mediator
  • Appendix: Dating the Misericords of Fairford
  • Bibliography
  • Index