Richard Gerstl : retrospective /

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Bibliographic Details
Imprint:[Munich] : Hirmer ; [Frankfurt-am-Main] : Schirn Kunsthalle Frankfurt ; New York : Ronald S. Lauder Neue Galerie, Museum for German and Austrian Art, 2017.
©2017
Description:239 pages ; 30 cm
239 pages : illustrations (chiefly color) ; 30 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11291949
Hidden Bibliographic Details
Other authors / contributors:Lloyd, Jill, editor, writer of supplementary textual content.
Pfeiffer, Ingrid, editor, writer of supplementary textual content.
Sitte, Maria, writer of supplementary textual content.
Winiarczyk, Karol, 1981- writer of supplementary textual content.
Coffer, Raymond, editor, writer of supplementary textual content.
Lauder, Ronald S., writer of preface.
Price, Renée, writer of preface.
Leopold, Diethard, writer of supplementary textual content.
Schirn Kunsthalle Frankfurt, issuing body, host institution.
Neue Galerie New York, issuing body, host institution.
ISBN:9783777427546
3777427543
Notes:Published on the occasion of an exhibition held at Schirn Kunsthalle Frankfurt, February 24-May 14, 2017, and Neue Galerie New York, June 29-September 25, 2017.
"Hirmer" publisher from book jacket.
Includes bibliographical references.
Includes bibliographical references (pages 184-185).
Summary:The Viennese artist Richard Gerstl is still regarded as being an insider tip. And yet he was one of the most important artists in Vienna in around 1900, alongside Klimt, Schiele and Kokoschka. Although he was only 25 years old when he died, he created an exciting and unusual oeuvre. This volume accompanying the first comprehensive retrospective in Germany introduces all the aspects of this exceptional artist. The artistic career of Richard Gerstl (1883?1908) extended over only approximately five years. During his lifetime he refused to allow his work to be exhibited in any way. As a result of his dramatic early death by his own hand many of his works were destroyed and almost no personal belongings have survived. The present work on his entire oeuvre finally fills the gap this has left. In his subjects portraits, landscapes and nude paintings, including the first nude self-portrait by an artist since Dürer, Gerstl succeeded in freeing his style from that of Salon painting. He applied the paint in an increasingly pastose and free manner and created pictures which are regarded as some of the most modern works of his time.--

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Call Number: f N6811.5.G47 A4 2017
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian