Duke Ellington studies /

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Bibliographic Details
Imprint:Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press, 2017.
©2017
Description:xxiv, 308 pages : illustrations ; 26 cm.
Language:English
Series:Cambridge composer studies
Cambridge composer studies.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11292113
Hidden Bibliographic Details
Other authors / contributors:Howland, John, 1964- editor, author.
ISBN:9780521764049
0521764041
Notes:Series taken from publisher's website.
Includes bibliographical references and index (page 299-308).
Summary:Duke Ellington (1899-1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies.

MARC

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504 |a Includes bibliographical references and index (page 299-308). 
520 8 |a Duke Ellington (1899-1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies. 
505 0 0 |t Elllington the entertainer: pageantry and prophecy in Duke Ellington's films /  |r Phil Ford --  |t Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a "serious" jazz composer /  |r John Howland --  |t "Art or debauchery?": the reception of Ellington in the U.K. /  |r Catherine Tackley --  |t Nobody was looking: the unparalleled jazz piano legacy of Duke Ellington /  |r Bill Dobbins --  |t "People wrap their lunches in them": Duke Ellington and his written music manuscripts /  |r Walter Van de Leur --  |t The moor's revenge: the poloitics of such sweet thunder /  |r David Schiff --  |t Duke Ellington in the LP era /  |r Gabriel Solis --  |t Authentic synthetic hybrid: Ellington's concepts of Africa and its music /  |r Carl Woideck --  |t "The mother of all albums": revisiting Ellington's A drum is a woman /  |r John Wriggle. 
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