The subject of Holocaust fiction /

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Bibliographic Details
Author / Creator:Budick, E. Miller, author.
Imprint:Bloomington and Indianapolis : Indiana University Press, [2015]
Description:1 online resource
Language:English
Series:Jewish literature and culture
Jewish literature and culture.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11305108
Hidden Bibliographic Details
ISBN:9780253016324
0253016320
9780253016300
0253016304
9780253016263
0253016266
Notes:Includes bibliographical references and index.
English.
Print version record.
Summary:Fictional representations of horrific events run the risk of undercutting efforts to verify historical knowledge and may heighten our ability to respond intellectually and ethically to human experiences of devastation. In this captivating study of the epistemological, psychological, and ethical issues underlying Holocaust fiction, Emily Miller Budick examines the subjective experiences of fantasy, projection, and repression manifested in Holocaust fiction and in the reader's encounter with it. Considering works by Cynthia Ozick, Art Spiegelman, Aharon Appelfeld, Michael Chabon, and others, Budick investigates how the reading subject makes sense of these fictionalized presentations of memory and trauma, victims and victimizers.
Other form:Print version: Budick, E. Miller. Subject of Holocaust fiction 9780253016300
Standard no.:ebc1992028
Review by Choice Review

Budick (Hebrew University of Jerusalem) presents new readings of significant well-known but under-studied Holocaust fiction. Premising her discussion on psychoanalytic theory, the author examines the national, ethnic, and religious positions of characters in and authors and readers of this fiction. She examines work by American novelists Philip Roth, Cynthia Ozick, Aryeh Lev Stollman, Michael Chabon, Jonathan Safran Foer, Nicole Krauss, Art Spiegelman, Dara Horn, Shalom Auslander, and William Styron (all but Styron Jewish); Israelis Aharon Appelfeld and David Grossman; Germans Bernhard Schlink and W. G. Sebald; and South African J. M. Coetzee. Budick's interest is in "the subjectivity that frames any writer's or reader's view of any subject," in this case the Holocaust, and in how writers approach and readers respond to this difficult topic. Among the fascinating themes Budick explores is the recurrent appearance of the inheritance of Anne Frank and Bruno Schulz. Well versed in psychoanalytic theory and Holocaust literary criticism, Budick offers cogent intertextual comparisons--such as the evocation of Bruno Schulz in texts by Jewish writers whose dominant theme is "complicated" or "incomplete" mourning. This is an important contribution to literary studies. Summing Up: Highly recommended. Upper-division undergraduates and above. --S. Lillian Kremer, emerita, Kansas State University

Copyright American Library Association, used with permission.
Review by Choice Review