Federico Seneca (1891-1976) : segno e forma nella pubblicità /

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Bibliographic Details
Imprint:Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Description:271 pages : illustrations (chiefly color) ; 24 cm
Language:Italian
English
Series:Design & Designers
Design & designers.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11338149
Hidden Bibliographic Details
Other uniform titles:Ossanna Cavadini, Nicoletta,
Cimorelli, Dario,
Mazza, Marta,
Sansone, Luigi,
Seneca, Federico, 1891-1976. Works. Selections.
Other authors / contributors:M.a.x. museo (Chiasso, Switzerland), host institution.
Galleria nazionale dell'Umbria, host institution.
Galleria Carifano, host institution.
Museo nazionale Collezione Salce, host institution.
ISBN:9788836635214
8836635210
Notes:Catalog of an itinerant exhibition held at the M.a.x. museo, Chiasso, Switzerland, October 9, 2016-January 22, 2017, at the Galleria nazionale dell'Umbria, Perugia, Italy, March 12-June 4, 2017, at the Galleria Carifano, Palazzo Corbelli, Fano, Italy, July 14-September 24, 2017, and at the Museo nazionale Collezione Salce, Treviso, Italy, February 3-June 3, 2018.
Includes bibliographical references (page 269).
Text in Italian and English.
Summary:Art historian Carlo Arturo Quintavalle has described Federico Seneca (1891-1976) as "a leading figure in European culture" in the 1900s: born in Fano, in the province of Pesaro-Urbino, Marche, he developed his artistic research along a "complex journey", an "articulate itinerary in the culture" of a continent that in the 1920s was at the center of many cultural waves he was attracted to, such as Purism, Cubism and Futurism. The "Segno e forma nella pubblicità" exhibition that opened on March 12th at the Galleria Nazionale dell'Umbria, in Perugia, sheds some light on his interesting path, with 300 pieces on display until June 4th, 2017: posters, signs, billboards, cardboard and tin boxes, postcards, logos, calendars, sculpture models and much more, all created by one of the greatest masters of commercial art of the last century, on loan from major museums and collections all over Italy. Exhibition: m.a.x. museo, Chiasso, Switzerland (09.10.2016-22.01.2017) / Galleria Nazionale dell'Umbria, Perugia, Italy (12.03.-04.06.2017) / Museo nazionale Collezione Salce, Treviso, Italy (02.-06.2018).

MARC

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500 |a Catalog of an itinerant exhibition held at the M.a.x. museo, Chiasso, Switzerland, October 9, 2016-January 22, 2017, at the Galleria nazionale dell'Umbria, Perugia, Italy, March 12-June 4, 2017, at the Galleria Carifano, Palazzo Corbelli, Fano, Italy, July 14-September 24, 2017, and at the Museo nazionale Collezione Salce, Treviso, Italy, February 3-June 3, 2018. 
546 |a Text in Italian and English. 
504 |a Includes bibliographical references (page 269). 
520 |a Art historian Carlo Arturo Quintavalle has described Federico Seneca (1891-1976) as "a leading figure in European culture" in the 1900s: born in Fano, in the province of Pesaro-Urbino, Marche, he developed his artistic research along a "complex journey", an "articulate itinerary in the culture" of a continent that in the 1920s was at the center of many cultural waves he was attracted to, such as Purism, Cubism and Futurism. The "Segno e forma nella pubblicità" exhibition that opened on March 12th at the Galleria Nazionale dell'Umbria, in Perugia, sheds some light on his interesting path, with 300 pieces on display until June 4th, 2017: posters, signs, billboards, cardboard and tin boxes, postcards, logos, calendars, sculpture models and much more, all created by one of the greatest masters of commercial art of the last century, on loan from major museums and collections all over Italy. Exhibition: m.a.x. museo, Chiasso, Switzerland (09.10.2016-22.01.2017) / Galleria Nazionale dell'Umbria, Perugia, Italy (12.03.-04.06.2017) / Museo nazionale Collezione Salce, Treviso, Italy (02.-06.2018). 
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