Bellevue : Robert Zünd (1827-1909), Tobias Madörin (1965) /

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Bibliographic Details
Imprint:Zürich : Scheidegger & Spiess, [2017]
©2017
Description:129 pages : illustrations (chiefly color) ; 33 cm
Language:German
English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11338181
Hidden Bibliographic Details
Other uniform titles:Fetzer, Fanni,
Müller, Dominik, 1981-
Steinberg, Jonathan,
Schons, Lisa,
Zünd, Robert, 1827-1909. Paintings. Selections. 2017.
Madörin, Tobias. Photographs. Selections. 2017.
Bellevue.
Bellevue. Engllish.
Other authors / contributors:Kunstmuseum Luzern, editor, host institution.
ISBN:9783858815552
3858815551
Notes:Catalog of an exhibition in the Kunstmuseum Luzern, 8 July through 15 October 2017.
Includes bibliographical references.
Parallel texts in German and English.
Summary:Robert Zünd (1827?1909) is Switzerland?s?Master of the Beech Leaf,? revered for his light-flooded paintings of bucolic landscapes. Tobias Madörin has achieved wide critical acclaim for his photographic tableaus that depict the interactions between people and their surrounding environment. Embedded in both artists? work is a fascination with observation, or the intensity of the gaze, and so their works form a stylistically consistent pairing, the subject of an exhibition at Kunstmuseum Luzern in summer 2017.0'Bellevue' juxtaposes Zünd?s paintings with photographs by Madörin, some of which show the same views. Zünd?s paintings of sunlit paradises are so precisely rendered that, rather than enjoying their beauty, viewers feel compelled to look more closely. Madörin achieves a similar intensity in his photographs, working with a large-format analog camera that lends an unusual slowness and attention to detail to the photographic process. The book provides a new way of approaching the work of both artists and their perception of the landscape at the heart of Switzerland. A wealth of illustrations is complemented by essays by curators Fanni Fetzer and Dominik Müller and American historian Jonathan Steinberg.00Exhibition: Kunstmuseum Luzern, Switzerland (08.07.-15.10.2017).

MARC

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546 |a Parallel texts in German and English. 
520 8 |a Robert Zünd (1827?1909) is Switzerland?s?Master of the Beech Leaf,? revered for his light-flooded paintings of bucolic landscapes. Tobias Madörin has achieved wide critical acclaim for his photographic tableaus that depict the interactions between people and their surrounding environment. Embedded in both artists? work is a fascination with observation, or the intensity of the gaze, and so their works form a stylistically consistent pairing, the subject of an exhibition at Kunstmuseum Luzern in summer 2017.0'Bellevue' juxtaposes Zünd?s paintings with photographs by Madörin, some of which show the same views. Zünd?s paintings of sunlit paradises are so precisely rendered that, rather than enjoying their beauty, viewers feel compelled to look more closely. Madörin achieves a similar intensity in his photographs, working with a large-format analog camera that lends an unusual slowness and attention to detail to the photographic process. The book provides a new way of approaching the work of both artists and their perception of the landscape at the heart of Switzerland. A wealth of illustrations is complemented by essays by curators Fanni Fetzer and Dominik Müller and American historian Jonathan Steinberg.00Exhibition: Kunstmuseum Luzern, Switzerland (08.07.-15.10.2017). 
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