Oz behind the Iron Curtain : Aleksandr Volkov and his Magic land series /

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Bibliographic Details
Author / Creator:Haber, Erika, author,
Imprint:Jackson : University Press of Mississippi, [2017]
©2017
Description:xvii, 259 pages ; 24 cm.
Language:English
Series:Children's Literature Association series
Children's literature association series.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11388757
Hidden Bibliographic Details
Varying Form of Title:Aleksandr Volkov and his Magic land series
ISBN:9781496813602
149681360X
Notes:Includes bibliographical references (pages 223-240) and index.
Summary:"In 1939, Aleksandr Volkov (1891-1977) published Wizard of the Emerald City, a revised version of L. Frank Baum's The Wonderful Wizard of Oz. Only a line on the copyright page explained the book as a "reworking" of the American story. Readers credited Volkov as author rather than translator. Volkov, an unknown and inexperienced author before World War II, tried to break into the politically charged field of Soviet children's literature with an American fairy tale. During the height of Stalin's purges, Volkov adapted and published this fairy tale in the Soviet Union despite enormous, sometimes deadly, obstacles. Marketed as Volkov's original work, Wizard of the Emerald City spawned a series that was translated into more than a dozen languages and became a staple of Soviet popular culture, not unlike Baum's fourteen-volume Oz series in the United States. Volkov's books inspired a television series, plays, films, musicals, animated cartoons, and a museum. Today, children's authors and fans continue to add volumes to the Magic Land series. Several generations of Soviet Russian and Eastern European children grew up with Volkov's writings, yet know little about the author and even less about his American source, L. Frank Baum. Most Americans have never heard of Volkov and know nothing of his impact in the Soviet Union, and those who do know of him regard his efforts as plagiarism. Erika Haber demonstrates how the works of both Baum and Volkov evolved from being popular children's literature and became compelling and enduring cultural icons in both the US and USSR/Russia, despite being dismissed and ignored by critics, scholars, and librarians for many years. " --
Other form:Online version: Haber, Erika, author, Oz behind the Iron Curtain. Jackson : University Press of Mississippi, 2017 9781496813619
Review by Choice Review

In this fascinating addition to the growing critical scholarship on L. Frank Baum and his Wonderful Wizard of Oz, Haber (Syracuse Univ.) introduces Aleksandr Volkov (1891-1977), a popular Soviet children's literature author, to an English-speaking audience. Volkov's 1939 Wizard of the Emerald City is a translation of Baum's 1900 Wizard of Oz but it was marketed in the Soviet Union as Volkov's original work. Volkov went on to publish several more titles in what became the "Tales of Magic Land" series. Haber divides the book equally between the two authors and their most famous works, providing biographical details, based on her exhaustive archival research in both the US and Russia, and substantive critical analysis of the literary texts. Most compelling are the numerous similarities between Baum's and Volkov's journeys toward becoming one of the most beloved children's authors in their respective countries and the struggle their most popular works faced in gaining critical scholarly attention and respect. Haber presents insightful interpretations of sources and texts largely unknown to most English-speaking scholars of Baum and children's literature, providing an exciting resource for further research. Although academic, the writing is accessible to nonspecialists. Summing Up: Highly recommended. Graduate students, researchers, faculty; general readers. --Diana V. Dominguez, University of Texas Rio Grande Valley

Copyright American Library Association, used with permission.
Review by Choice Review