Thresholds and boundaries : liminality in Netherlandish art (1385-1530) /

Saved in:
Bibliographic Details
Author / Creator:Jacobs, Lynn F., 1955- author.
Imprint:London ; New York : Routledge, 2018.
Description:xiii, 231 pages ; 26 cm.
Language:English
Series:Visual Culture in Early Modernity
Visual culture in early modernity.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11395314
Hidden Bibliographic Details
ISBN:9781472457813
1472457811
Notes:Includes bibliographical references and index.
Summary:Although liminality has been studied by scholars of medieval and seventeenth-century art, the role of the threshold motif in Netherlandish art of the late fourteenth, fifteenth and early sixteenth centuries -- this late medieval/early 'early modern' period -- has been much less fully investigated. 'Thresholds and Boundaries: Liminality in Netherlandish Art (1385-1550)' addresses this issue through a focus on key case studies (Sluter's portal of the Chartreuse de Champmol and the calendar pages of the Limbourg Brothers' Tres Riches Heures), and on important formats (altarpieces and illuminated manuscripts). Lynn F. Jacobs examines how the visual thresholds established within Netherlandish paintings, sculptures, and manuscript illuminations become sites where artists could address relations between life and death, aristocrat and peasant, holy and profane, and man and God-and where artists could exploit the 'betwixt and between' nature of the threshold to communicate, paradoxically, both connections and divisions between these different states and different worlds.

Regenstein, Bookstacks

Loading map link
Holdings details from Regenstein, Bookstacks
Call Number: N6933 .J33 2018
c.1 Available Loan period: standard loan  Scan and Deliver Request for Pickup Need help? - Ask a Librarian