Popular music and multimodal critical discourse studies : ideology, control and resistance in Turkey since 2002 /
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Author / Creator: | Way, Lyndon C. S., author. |
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Imprint: | London, UK ; New York, NY, USA : Bloomsbury Academic, 2018. ©2018 |
Description: | ix, 198 pages ; 24 cm. |
Language: | English |
Series: | Bloomsbury advances in critical discourse studies Bloomsbury advances in critical discourse studies. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11398741 |
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100 | 1 | |a Way, Lyndon C. S., |e author. |0 http://id.loc.gov/authorities/names/n2016045687 |1 http://viaf.org/viaf/105232955 | |
245 | 1 | 0 | |a Popular music and multimodal critical discourse studies : |b ideology, control and resistance in Turkey since 2002 / |c Lyndon C.S. Way. |
264 | 1 | |a London, UK ; |a New York, NY, USA : |b Bloomsbury Academic, |c 2018. | |
264 | 4 | |c ©2018 | |
300 | |a ix, 198 pages ; |c 24 cm. | ||
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490 | 1 | |a Bloomsbury advances in critical discourse studies | |
504 | |a Includes bibliographical references and index. | ||
520 | 8 | |a Popular music has long been used to entertain, provoke, to challenge and liberate but also to oppress and control. This book shows how an innovative set of methods from Multimodal Critical Discourse Studies (MCDS) can be used to reveal the deeply political role played by some popular music. It is set in and around contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party in power since 2002. Deeper questions can be asked as to the extent popular music can articulate clear and more complex ideas about society, identities and events. The book takes up these kinds of questions which are commonly asked across the field of popular music studies and demonstrates how MCDS can provide an important and timely step forward due to its attention to the details of how communication takes place, its interest in discourse and how ideologies are naturalised and legitimized. This book is a part of the ongoing multimodal turn in critical discourse studies. There has also been an increase in interest specifically in popular music in CDS, stemming from the work of Van Leeuwen and Machin. This work shows the potential of studying the details of the lyrics of popular music, visuals associated with songs (as seen in pop videos) and musical sounds. | |
650 | 0 | |a Popular music |x Political aspects |z Turkey. | |
650 | 7 | |a Popular music |x Political aspects. |2 fast |0 (OCoLC)fst01071452 | |
651 | 7 | |a Turkey. |2 fast |0 (OCoLC)fst01208963 | |
776 | 0 | 8 | |i Online version: |a Way, Lyndon C.S. |t Popular music and multimodal critical discourse studies. |d New York : Bloomsbury Academic, 2017 |z 9781350016453 |w (DLC) 2017029474 |
830 | 0 | |a Bloomsbury advances in critical discourse studies. |0 http://id.loc.gov/authorities/names/no2017008562 | |
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