Popular music and multimodal critical discourse studies : ideology, control and resistance in Turkey since 2002 /

Saved in:
Bibliographic Details
Author / Creator:Way, Lyndon C. S., author.
Imprint:London, UK ; New York, NY, USA : Bloomsbury Academic, 2018.
©2018
Description:ix, 198 pages ; 24 cm.
Language:English
Series:Bloomsbury advances in critical discourse studies
Bloomsbury advances in critical discourse studies.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11398741
Hidden Bibliographic Details
ISBN:9781350016446
1350016446
Notes:Includes bibliographical references and index.
Summary:Popular music has long been used to entertain, provoke, to challenge and liberate but also to oppress and control. This book shows how an innovative set of methods from Multimodal Critical Discourse Studies (MCDS) can be used to reveal the deeply political role played by some popular music. It is set in and around contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party in power since 2002. Deeper questions can be asked as to the extent popular music can articulate clear and more complex ideas about society, identities and events. The book takes up these kinds of questions which are commonly asked across the field of popular music studies and demonstrates how MCDS can provide an important and timely step forward due to its attention to the details of how communication takes place, its interest in discourse and how ideologies are naturalised and legitimized. This book is a part of the ongoing multimodal turn in critical discourse studies. There has also been an increase in interest specifically in popular music in CDS, stemming from the work of Van Leeuwen and Machin. This work shows the potential of studying the details of the lyrics of popular music, visuals associated with songs (as seen in pop videos) and musical sounds.
Other form:Online version: Way, Lyndon C.S. Popular music and multimodal critical discourse studies. New York : Bloomsbury Academic, 2017 9781350016453

MARC

LEADER 00000pam a2200000 i 4500
001 11398741
003 ICU
005 20180126091737.8
008 170606t20182018nyua b 001 0 eng
010 |a  2017027162 
040 |a DLC  |b eng  |e rda  |c DLC  |d YDX  |d BDX  |d OCLCO  |d OCLCF  |d ERASA  |d OCLCQ  |d NhCcYBP 
020 |a 9781350016446  |q hardcover ;  |q alkaline paper 
020 |a 1350016446  |q hardcover ;  |q alkaline paper 
035 |a (OCoLC)959038725 
042 |a pcc 
043 |a a-tu--- 
050 0 0 |a ML3917.T9  |b W39 2018 
082 0 0 |a 781.6309561  |2 23 
100 1 |a Way, Lyndon C. S.,  |e author.  |0 http://id.loc.gov/authorities/names/n2016045687  |1 http://viaf.org/viaf/105232955 
245 1 0 |a Popular music and multimodal critical discourse studies :  |b ideology, control and resistance in Turkey since 2002 /  |c Lyndon C.S. Way. 
264 1 |a London, UK ;  |a New York, NY, USA :  |b Bloomsbury Academic,  |c 2018. 
264 4 |c ©2018 
300 |a ix, 198 pages ;  |c 24 cm. 
336 |a text  |b txt  |2 rdacontent  |0 http://id.loc.gov/vocabulary/contentTypes/txt 
337 |a unmediated  |b n  |2 rdamedia  |0 http://id.loc.gov/vocabulary/mediaTypes/n 
338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
490 1 |a Bloomsbury advances in critical discourse studies 
504 |a Includes bibliographical references and index. 
520 8 |a Popular music has long been used to entertain, provoke, to challenge and liberate but also to oppress and control. This book shows how an innovative set of methods from Multimodal Critical Discourse Studies (MCDS) can be used to reveal the deeply political role played by some popular music. It is set in and around contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party in power since 2002. Deeper questions can be asked as to the extent popular music can articulate clear and more complex ideas about society, identities and events. The book takes up these kinds of questions which are commonly asked across the field of popular music studies and demonstrates how MCDS can provide an important and timely step forward due to its attention to the details of how communication takes place, its interest in discourse and how ideologies are naturalised and legitimized. This book is a part of the ongoing multimodal turn in critical discourse studies. There has also been an increase in interest specifically in popular music in CDS, stemming from the work of Van Leeuwen and Machin. This work shows the potential of studying the details of the lyrics of popular music, visuals associated with songs (as seen in pop videos) and musical sounds. 
650 0 |a Popular music  |x Political aspects  |z Turkey. 
650 7 |a Popular music  |x Political aspects.  |2 fast  |0 (OCoLC)fst01071452 
651 7 |a Turkey.  |2 fast  |0 (OCoLC)fst01208963 
776 0 8 |i Online version:  |a Way, Lyndon C.S.  |t Popular music and multimodal critical discourse studies.  |d New York : Bloomsbury Academic, 2017  |z 9781350016453  |w (DLC) 2017029474 
830 0 |a Bloomsbury advances in critical discourse studies.  |0 http://id.loc.gov/authorities/names/no2017008562 
903 |a HeVa 
929 |a cat 
999 f f |i 9a04e8b2-47d8-55e2-8f30-ea582a81c9f9  |s 47960cb6-4add-53d8-b220-7e9056691a75 
928 |t Library of Congress classification  |a ML3917.T9 W39 2018  |l JRL  |c JRL-Gen  |i 10691133 
927 |t Library of Congress classification  |a ML3917.T9 W39 2018  |l JRL  |c JRL-Gen  |e BACH  |b 114265223  |i 9898740