Transnational punk communities in Poland : from nihilism to nothing outside punk /

Saved in:
Bibliographic Details
Author / Creator:Marciniak, Marta, 1981- author.
Imprint:Lanham, Maryland : Lexington Books, [2015]
©2015
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11405204
Hidden Bibliographic Details
ISBN:9781498501583
1498501583
9781498501576
1498501575
Digital file characteristics:data file
Notes:Includes bibliographical references and index.
Online resource; title from PDF title page (EBSCO, viewed July 15, 2015).
Summary:A transnational historical and ethnographic work that makes an interesting intervention into the field of subculture studies by emphasizing the seriousness, outreach, and attraction of these unique, yet similar Polish and Silesian punk communities since the late 1970s. Combines the methods of oral history and ethnography to create compact sections assignable as reading to graduate students enrolled in courses in cultural studies, Polish studies, social history of central Europe, anthropology, political studies, and others.
Other form:Print version: Marciniak, Marta, 1981- Transnational punk communities in Poland : from nihilism to nothing outside punk. Lanham, Maryland : Lexington Books, ©2015 xlvii, 219 pages 9781498501576
Review by Choice Review

In this unique book, Marciniak (American studies, Univ. of Buffalo, SUNY) provides a detailed exploration of the punk subculture in Poland and the US. Based on her dissertation work, the book compares and contrasts communities of the subculture in Poland's Warsaw and Upper Silesia regions with their US counterparts in New York, Cleveland, and New Jersey. In the book's five chapters, she provides an ethnographic exploration of the oral history, subcultural practice, and socio-political environments of 1980s punk communities. Marciniak first explains the concepts of the DIY ethic, modernity, gentrification, and outsiderism as a foundation of how these communities arose. From these concepts, the author moves on to discuss influences and connections that Polish punk has to punk in Cleveland and New Jersey, considering political and nihilistic attitudes toward governmental ideologies. Of particular note is Marciniak's concise unfolding of punk histories and their connections to prominent bands, lyrics, and cultural practices. She includes exhaustive notes, a list of interviewees, and an appendix of questions used during her fieldwork. Overall, this volume offers musicologists, punk aficionados, and anthropology students an insightful look at punk subcultural practice through a global and historical lens. Summing Up: Recommended. Upper-division undergraduates through faculty. --Joan Jocson-Singh, Columbia University

Copyright American Library Association, used with permission.
Review by Choice Review