Black gods of the asphalt : religion, hip-hop, and street basketball /

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Bibliographic Details
Author / Creator:Woodbine, Onaje X. O., author.
Imprint:New York : Columbia University Press, [2016]
©2016
Description:1 online resource : illustrations
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11406721
Hidden Bibliographic Details
ISBN:9780231541121
0231541120
9780231177283
0231177283
Digital file characteristics:text file PDF
Notes:Includes bibliographical references and index.
In English.
Print version record.
Summary:J-Rod moves like a small battle tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in every bone-breaking drive to the basket. On the street every ballplayer has a story. Onaje X.O. Woodbine, a former streetball player who became an All-Star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. Big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ball players are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Streetball is rhythm and flow, and during its peak moments, the three rings of the asphalt collapse into a singular band, every head and toe pressed against the sidelines, caught up in the spectacle. Basketball is popular among young black American men, but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X.O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the adepts of the asphalt.
Other form:Print version: Woodbine, Onaje X.O. Black gods of the asphalt. New York : Columbia University Press, [2016] 9780231177283
Standard no.:40026038304
10.7312/wood17728
Review by Booklist Review

Hoops to the nth degree. The author is a street-basketball player himself as well as a Yale graduate, and his book combines personal experience and city life with careful research and quotations from Derrida, theologians, and scholars of many sorts an unlikely combination that works well. This is participant ethnography with a difference: it's authentic. Woodbine's got game, on the court and on the page, and here he dunks emphatically. From the time we meet Shorty, a street-basketball legend, through a brief history of the game and its link (religion playing a large role) to young African American culture, we learn of basketball, and the many lives it memorializes, as we have in few other books. Woodbine's ethnographic canvas is the inner city of Boston Roxbury, Dorchester, Mattapan and while it would have been instructive to visit at least one other city (like New York) to see how it matched or differed, one suspects that the findings would have been nearly identical. Basketball can be ennobling, on whatever street or court it's played.--Levine, Mark Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Inner-city youth turn to hoops to find hope and healing in this vivid ethnography of street basketball in Boston. Viewing street basketball as an urban "lived religion"-where the principal problems and structural sins of inner-city life are ritualized, renegotiated, and reimagined-Woodbine interprets the games as religious performances and practices where young men exorcise their metaphorical demons through dancing, exercising, and dunking. This narrative is more than academic prose; it is a deeply personal and poetic travel through the author's own story of racial struggle and the survival tactics of the players he befriends. The composition drips with Woodbine's passion for the game as he weaves street-court scenes of damnation and redemption with richly textured biographies of the young men who play to fight off the specters of racism, violence, and drug addiction. In this majestic study of basketball as ritual, religion, and culture, Woodbine plunges into the courts of Boston with an insider's savvy to catalogue the urban sport's pulsating (and potentially transcendent) dialogue. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Booklist Review


Review by Publisher's Weekly Review