Counterpreservation : architectural decay in Berlin since 1989 /

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Bibliographic Details
Author / Creator:Sandler, Daniela, 1974- author.
Imprint:Ithaca : A Signale Book, Cornell University Press and Cornell University Library, 2016.
Description:1 online resource
Language:English
Series:Signale : modern German letters, cultures, and thought
Signale (Ithaca, N.Y.)
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11408621
Hidden Bibliographic Details
ISBN:9781501706806
1501706802
9781501706271
1501706276
9781501703164
9781501703171
1501703161
150170317X
Digital file characteristics:text file
PDF
Notes:Includes bibliographical references and index.
In English.
Print version record and CIP data provided by publisher.
Summary:"In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. In this book, Daniela Sandler introduces the concept of counterpreservation as a way to understand this intentional appropriation of decrepitude. The embrace of decay is a sign of Berlin's iconoclastic rebelliousness, but it has also been incorporated into the mainstream economy of tourism and development as part of the city's countercultural cachet. Sandler presents the possibilities and shortcomings of counterpreservation as a dynamic force in Berlpagesin and as a potential concept for other cities"--
Other form:Print version: Counterpreservation. Ithaca : A Signale Book, Cornell University Press and Cornell University Library, 2016 9781501703164
Standard no.:10.7591/9781501706271
Review by Choice Review

A scholar of architectural and urban history, Sandler (School of Architecture, Univ. of Minnesota) defines "counterpreservation" as "the intentional use of architectural decay" in "response to three issues that have defined [Berlin] since 1989: gentrification, historical memory, and unification." In chapter 1 she explores the concept of counterpreservation at length and in depth, and she devotes the remaining chapters to case studies of five sites (representing ten years of field research). Examined are a group of "living projects," i.e., alternative societies such as collective housing; "cultural centers," arts and culture, gentrified away; the Sachsenhausen Memorial, developed around an abandoned concentration camp; the Topography of Terror museum (the Nazi documentation center and gestapo headquarters in the heart of Berlin), a site where the idea of counterpreservation is reversed in favor of evocative modernist voids; and the Palace of the Republic, the site of the East German parliament, and its temporary uses. Sandler concludes with a brilliantly argued case for the worldwide significance of counterpreservation as a conceptual force that challenges the fundamental tenets of historic preservation as it is practiced in the West today. Unfortunately the quality of the images does not measure up to that of the text. Summing Up: Recommended. Graduate students, researchers, faculty, and professionals; general readers. --Jack Quinan, independent scholar

Copyright American Library Association, used with permission.
Review by Choice Review