Signal the future : Georg Gatsas /

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Bibliographic Details
Author / Creator:Gatsas, Georg, photographer editor.
Uniform title:Photographs. Selections.
Imprint:Zurich : Cpress ; London : Loose Joints, [2017]
©2017
Description:approximately 232 unnumbered pages : illustrations (some color), portraits ; 30 cm + 1 supplement (unpaged)
Language:English
German
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11411996
Hidden Bibliographic Details
Varying Form of Title:Georg Gatsas : signal the future
Other uniform titles:Signal the future.
Signal the future. German.
Other authors / contributors:Fischer, Mark, writer of supplementary textual content.
Kunstverein St. Gallen Kunstmuseum, editor, host institution.
ISBN:9783952471012
3952471011
Notes:Title from spine.
In conjunction with the exhibition "Georg Gatsas. are you ... can you ... were you? Manor Kunstpreis St. Gallen 2017", November 4, 2017-February 11, 2018, Kunstmuseum St. Gallen.
Contents of the supplement: translations of the texts in German.
Includes bibliographical references.
Texts in English and German.
Summary:Photographer Georg Gatsas' Signal The Future unpacks many layers of an important musical era in London. Through portraits, candid shots of clubbers, and architectural investigations of the city, a narrative unfolds of how music both shapes and is shaped by its immediate urban environment. Dating from 2008 - shortly after the British club phenomenon of dubstep received international acclaim - we're introduced to a music scene in the flush of fame. Ethnically diverse, largely working class, surprisingly close-knit, and a world apart from the country's acclaimed indie and guitar rock history, the people in this book are united by the city and their love of the music. We glimpse dancers mid-stride, witness their steppers' communion, and get a sense of their afterhours lives on the empty streets of Brixton in the night. In a few short years, the tone of electronic music changed and so did the images - becoming brighter, taking place more often outside, and interspersed with the kind of soaring structures that are the hallmark of modernism. The book includes essays by acclaimed writers on music and cultural theory, including the late Mark Fisher, probing deeply into many of the strands that Gatsas visualises: urbanism, community, the 'underground', capitalism, networked futurism, gentrification, and more. Anyone not following underground music may be surprised to realise how much is contained within its scope. Gatsas helps bring those complexities alive.
Standard no.:9783952471012

MARC

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246 1 8 |a Georg Gatsas :  |b signal the future 
264 1 |a Zurich :  |b Cpress ;  |a London :  |b Loose Joints,  |c [2017] 
264 4 |c ©2017 
300 |a approximately 232 unnumbered pages :  |b illustrations (some color), portraits ;  |c 30 cm +  |e 1 supplement (unpaged) 
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338 |a volume  |b nc  |2 rdacarrier  |0 http://id.loc.gov/vocabulary/carriers/nc 
500 |a Title from spine. 
500 |a In conjunction with the exhibition "Georg Gatsas. are you ... can you ... were you? Manor Kunstpreis St. Gallen 2017", November 4, 2017-February 11, 2018, Kunstmuseum St. Gallen. 
500 |a Contents of the supplement: translations of the texts in German. 
504 |a Includes bibliographical references. 
520 |a Photographer Georg Gatsas' Signal The Future unpacks many layers of an important musical era in London. Through portraits, candid shots of clubbers, and architectural investigations of the city, a narrative unfolds of how music both shapes and is shaped by its immediate urban environment. Dating from 2008 - shortly after the British club phenomenon of dubstep received international acclaim - we're introduced to a music scene in the flush of fame. Ethnically diverse, largely working class, surprisingly close-knit, and a world apart from the country's acclaimed indie and guitar rock history, the people in this book are united by the city and their love of the music. We glimpse dancers mid-stride, witness their steppers' communion, and get a sense of their afterhours lives on the empty streets of Brixton in the night. In a few short years, the tone of electronic music changed and so did the images - becoming brighter, taking place more often outside, and interspersed with the kind of soaring structures that are the hallmark of modernism. The book includes essays by acclaimed writers on music and cultural theory, including the late Mark Fisher, probing deeply into many of the strands that Gatsas visualises: urbanism, community, the 'underground', capitalism, networked futurism, gentrification, and more. Anyone not following underground music may be surprised to realise how much is contained within its scope. Gatsas helps bring those complexities alive. 
546 |a Texts in English and German. 
600 1 0 |a Gatsas, Georg  |v Exhibitions. 
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