Manuel Neri : and the assertion of modern figurative sculpture /

Saved in:
Bibliographic Details
Author / Creator:Nixon, Bruce, author.
Imprint:Stanford, California : Anderson Collection / Stanford University Press, 2017.
©2017
Description:xxvii, 323 pages : illustrations (chiefly color), portraits, photographs ; 30 x 30 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11423241
Hidden Bibliographic Details
Other uniform titles:Neri, Manuel, 1930- Works. Selections.
Nemerov, Alexander,
Other authors / contributors:Anderson Collection at Stanford University, issuing body, publisher, host institution, organizer.
ISBN:1503605485
9781503605480
Notes:Includes bibliographical references and index.
"Manuel Neri: Assertion of the Figure, Gifts from the Manuel Neri Trust" : September 14, 2017-February 12, 2018, Stanford University, Stanford, California, United States.
Text in English.
Summary:The exploration of the human figure has been the pursuit of artists for millennia. Manuel Neri (b. 1930), a California native and former student of Richard Diebenkorn and Nathan Oliveira, has spent a lifetime accentuating the gesture, surface, and materiality of the figure. He renders his work in several different mediums that include plaster, marble, bronze, and paper. This exhibition, drawn from and celebrating gifts donated to the museum by The Manuel Neri Trust, provides a glimpse into the artist's creative process and his quest to define the figure on his own terms. Manuel Neri is known for his prolonged artistic engagement with the figure in a variety of materials, starting with plaster in the late 1950s and moving into bronze and marble. The seven sculptures in the outdoor installation reference Neri's origins with plaster and his expressionistic manipulation of the medium. By casting plaster in bronze, tactile surfaces are preserved and enhanced. https://anderson.stanford.edu/programs-exhibitions/manuel-neri-assertion-of-the-figure/
Description
Summary:

Manuel Neri is widely recognized for his life-size figurative sculptures in plaster, bronze, and marble. His work echoed the commitment of earlier artists, such as Alberto Giacometti and Marino Marini, who used the figure as a vehicle to express Modernist ideals in the aftermath of World War II. Manuel Neri and the Assertion of Modern Figurative Sculpture traces the development of these sculptural ideas of the figurative motif and illuminates the enduring sculptural form and humanist ideas present in Neri's work.

Representing the breadth of the artist's oeuvre, this book offers insights into the development of Neri's sculpture and a fresh perspective on his contributions to contemporary art. With approximately 400 color images, it captures Neri's engagement with Modernism, tradition, and humanity's struggle to understand itself. An introduction by Alexander Nemerov and essay by Bruce Nixon illustrate Neri's lifelong involvement with the most creative traditions to capture the modern age--in all its contradictions, vulnerabilities, and possibilities--in the enduring mirror of the human body.

Physical Description:xxvii, 323 pages : illustrations (chiefly color), portraits, photographs ; 30 x 30 cm
Bibliography:Includes bibliographical references and index.
ISBN:1503605485
9781503605480
Place of Publication:United States -- California -- Stanford.