Music in medieval Europe /
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| Author / Creator: | Yudkin, Jeremy, author. |
|---|---|
| Edition: | Second edition. |
| Imprint: | New York, NY : Oxford University Press, [2017] |
| Description: | xxiii, 513 pages : illustrations, maps, music ; 24 cm |
| Language: | English |
| Subject: | |
| Format: | Music score Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11449171 |
Table of Contents:
- Preface to the Second Edition
- Preface to the First Edition
- List of Musical Examples
- Chapter 1. The Middle Ages
- Life in Medieval Europe
- The Medieval Heritage
- The Years 400-1000
- The Years 1000-1400
- The Role of Music
- Chapter 2. The Theoretical Tradition of Antiquity
- The Ancient World
- Music in Antiquity
- Boethius
- The Seven Liberal Arts
- Augustine
- Summary
- Chapter 3. Chant and Liturgy
- The Development of the Christian Church
- Literature and Language of the Early Church
- Development of the Liturgy
- Charlemagne
- Music in the Liturgy
- Plainchant
- Text and Music
- Shape and Melodic Style
- The Melodic Modes
- Summary
- Comments on Notation and Performance
- Chapter 4. The Mass
- Structure of the Mass
- The Mass for Pentecost
- Fore-Mass
- Eucharist
- Summary
- Chapter 5. The Office
- Monasticism in the Middle Ages
- Structure of the Office
- Matins for the Nativity
- Introduction
- The Nocturns
- Conclusion
- Summary
- Chapter 6. 900-1200: The Latin Tradition
- Chant after Charlemagne
- Tropes
- Prosulas
- Sequences
- Latin Songs
- The Rhymed Office
- Latin Drama
- Summary
- Chapter 7. The Vernacular Tradition: 1000-1300
- Southern France
- Northern France
- Italy
- Iberia
- England
- Germany
- Vernacular Drama
- Summary
- Comments on Notation and Performance
- Chapter 8. Early Polyphony
- Sources to the Twelfth Century
- Twelfth-Century Sources
- Aquitainian Polyphony
- Codex Calixtinus
- Summary
- Chapter 9. The New Music of Paris
- Paris: Its University and Cathedral
- Leoninus
- The Musical Style of the Magnus Liber
- Conductus
- Perotintis and Further Developments in the Thirteenth Century
- Clausulae
- Tripla and Quadrupla
- From Clausula to Motet
- The Motet to 1275
- Hocket
- The Conductus-Motet
- The Motet Enté
- The Late Thirteenth-Century Motet
- English Motets
- Summary
- Comments on Notation and Performance
- Chapter 10. Instrumental Music to 1300
- Improvised Music
- Instrumental Performance of Vocal Pieces
- Dance Music
- Instruments
- Bowed Instrument
- Plucked Instruments
- Blown Instruments
- Keyboard Instruments
- Percussion
- Summary
- Chapter 11. The Fourteenth Century in France
- The Roman de Fauvel
- The Isorhythmic Motet
- Guillaume de Machaut
- The Motets
- The Mass
- The Secular Songs
- Liturgical Polyphony
- The Tournai Mass
- Summary
- Comments on Notation and Performance
- Chapter 12. The Fourteenth Century in Italy
- The Early Ballata
- The Madrigal
- The Caccia
- The Canonic Madrigal
- Francesco Landini
- Instrumental Music
- Liturgical Polyphony
- Summary
- Chapter 13. "Perfect Beauty"
- The Avignon Style
- English Music
- Johannes Ciconia
- Conclusion
- Index
