The burning house : Jim Crow and the making of modern America.

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Bibliographic Details
Author / Creator:Walker, Anders, author.
Imprint:New Haven : Yale University Press [2018]
Description:xi, 290 pages ; 25 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11457269
Hidden Bibliographic Details
ISBN:9780300223989
0300223986
Notes:Includes bibliographical references and index.
Summary:A startling and gripping reexamination of the Jim Crow era, as seen through the eyes of some of the most important American writers In this dramatic reexamination of the Jim Crow South, Anders Walker investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O'Connor, and Zora Neale Hurston handled the paradoxical relationship between diversity and equality. For some, white culture was fundamentally flawed, a "burning house," as James Baldwin put it, that endorsed racism and violence to maintain dominance. Why should black Americans exchange their rich and valuable traditions for an inferior white culture? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project rooted in mutual respect, not violence. Anders Walker explores a racial diversity that was born out of Southern repression and that both black and white intellectuals worked to maintain. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.
Description
Summary:A startling and gripping reexamination of the Jim Crow era, as seen through the eyes of some of the most important American writers <br> <br> <br> <br> "Walker has opened up a fresh way of thinking about the intellectual history of the South during the civil-rights movement."--Robert Greene, The Nation <br> <br> <br> <br> In this dramatic reexamination of the Jim Crow South, Anders Walker demonstrates that racial segregation fostered not simply terror and violence, but also diversity, one of our most celebrated ideals. He investigates how prominent intellectuals like Robert Penn Warren, James Baldwin, Eudora Welty, Ralph Ellison, Flannery O'Connor, and Zora Neale Hurston found pluralism in Jim Crow, a legal system that created two worlds, each with its own institutions, traditions, even cultures. The intellectuals discussed in this book all agreed that black culture was resilient, creative, and profound, brutally honest in its assessment of American history. By contrast, James Baldwin likened white culture to a "burning house," a frightening place that endorsed racism and violence to maintain dominance. Why should black Americans exchange their experience for that? Southern whites, meanwhile, saw themselves preserving a rich cultural landscape against the onslaught of mass culture and federal power, a project carried to the highest levels of American law by Supreme Court justice and Virginia native Lewis F. Powell, Jr.<br> <br> <br> <br> Anders Walker shows how a generation of scholars and judges has misinterpreted Powell's definition of diversity in the landmark case Regents v. Bakke, forgetting its Southern origins and weakening it in the process. By resituating the decision in the context of Southern intellectual history, Walker places diversity on a new footing, independent of affirmative action but also free from the constraints currently placed on it by the Supreme Court. With great clarity and insight, he offers a new lens through which to understand the history of civil rights in the United States.
Physical Description:xi, 290 pages ; 25 cm
Bibliography:Includes bibliographical references and index.
ISBN:9780300223989
0300223986