Double-Takes : Intersections between Canadian Literature and Film /
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Imprint: | Ottawa : University of Ottawa Press, 2013. |
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Description: | 1 online resource |
Language: | English |
Series: | Re-appraisals, Canadian writers ; 35 Re-appraisals, Canadian writers ; 35. |
Subject: | |
Format: | E-Resource Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11550530 |
Table of Contents:
- Introduction
- Part 1. Realism and its "Others"
- Beyond the National-Realist Text: Imagining the Impossible Nation in Contemporary Canadian Cinema
- Griersonian "Actuality" and Social Protest in Dorothy LivesayÆs Documentary Poems
- "Stunning and Strange": Iceland as Memory and Prophecy in Alice Munro's "White Dump" and Sarah Polley's "Away from Her"
- Maddin, Melodrama and the Pre-National
- Dialogic Phantasy in Brace McDonalds Adaptive Narratives
- Part 2. Adaptation, for Better or Worse
- Reading Canadian Film Credits: Adapting Institutions, Systems and Affects
- Sisters in the Wilderness: Mythologizing Catharine Parr Traill
- "Triumph" in the Backwoods: The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000)
- The Director's Medium: Richard Attenborough's De-Authorization of Grey Owl
- Narrative Structure and Narrative Voices in The English Patient: Film and Novel-A Comparative Study
- Loser Wins: The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz
- Why They Cannot Get It Right: A Reader's Notes about Richler on Screen
- "[I]t's my nature": A Comparison of Hagar Shipley's Pride in The Stone Angel Novel and Film
- Part 3. Identity: "To Be, Or Not To Be"
- Why Sex Matters in Canadian Film and Literature
- The Nature of Things: Coupland, Cinema and the Canadian Sixties and Seventies
- Adapting Men to New Times? Engagements with Masculinism in John Howe's Why Rock the Boat?
- Filming Music: Adapting Transnational Sound in The English Patient and Fugitive Pieces
- "Something's missing": Exploding Girlhood and Narrative in The Tracey Fragments
- Contributors
- Index