Double-Takes : Intersections between Canadian Literature and Film /

Double-Takes : Intersections between Canadian Literature and Film /

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Bibliographic Details
Imprint:Ottawa : University of Ottawa Press, 2013.
Description:1 online resource
Language:English
Series:Re-appraisals, Canadian writers ; 35
Re-appraisals, Canadian writers ; 35.
Subject:
Motion pictures and literature -- Canada.
Canadian literature -- Film adaptations.
Film adaptations -- History and criticism.
Canadian literature.
Film adaptations.
Motion pictures and literature.
Canada.
Film adaptations.
Criticism, interpretation, etc.
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11550530
Hidden Bibliographic Details
Other authors / contributors:Jarraway, David R., editor.
ISBN:9780776607795
0776607790
9780776619880
0776619888
9780776619897
0776619896
9780776607795
Notes:Includes bibliographical references and index.
Online resource; title from PDF title page (EBSCO, viewed April 4, 2018).
Summary:The widest-ranging exploration to date of the interaction between English Canadian literature and film.
Other form:Print version 97807766077950776607790
Table of Contents:
  • Introduction
  • Part 1. Realism and its "Others"
  • Beyond the National-Realist Text: Imagining the Impossible Nation in Contemporary Canadian Cinema
  • Griersonian "Actuality" and Social Protest in Dorothy LivesayÆs Documentary Poems
  • "Stunning and Strange": Iceland as Memory and Prophecy in Alice Munro's "White Dump" and Sarah Polley's "Away from Her"
  • Maddin, Melodrama and the Pre-National
  • Dialogic Phantasy in Brace McDonalds Adaptive Narratives
  • Part 2. Adaptation, for Better or Worse
  • Reading Canadian Film Credits: Adapting Institutions, Systems and Affects
  • Sisters in the Wilderness: Mythologizing Catharine Parr Traill
  • "Triumph" in the Backwoods: The CBC's Take on Moodie and Traill in Sisters in the Wilderness (2000)
  • The Director's Medium: Richard Attenborough's De-Authorization of Grey Owl
  • Narrative Structure and Narrative Voices in The English Patient: Film and Novel-A Comparative Study
  • Loser Wins: The Rhetoric of High Modernism in The Apprenticeship of Duddy Kravitz
  • Why They Cannot Get It Right: A Reader's Notes about Richler on Screen
  • "[I]t's my nature": A Comparison of Hagar Shipley's Pride in The Stone Angel Novel and Film
  • Part 3. Identity: "To Be, Or Not To Be"
  • Why Sex Matters in Canadian Film and Literature
  • The Nature of Things: Coupland, Cinema and the Canadian Sixties and Seventies
  • Adapting Men to New Times? Engagements with Masculinism in John Howe's Why Rock the Boat?
  • Filming Music: Adapting Transnational Sound in The English Patient and Fugitive Pieces
  • "Something's missing": Exploding Girlhood and Narrative in The Tracey Fragments
  • Contributors
  • Index

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