All-women art spaces in Europe in the long 1970s /

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Bibliographic Details
Imprint:Liverpool : Liverpool University Press, 2018.
©2018
Description:vi, 285 pages : illustrations ; 24 cm.
Language:English
Series:Value : art : politics
Value, art, politics.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11591989
Hidden Bibliographic Details
Other authors / contributors:Jakubowska, Agata, editor.
Deepwell, Katy, 1962- editor.
Helsingin yliopisto.
European Network for Avant-Garde and Modernism Studies. Conference (4th : 2014 : University of Helsinki). 'All-women art spaces as heterotopias
ISBN:1786940582
9781786940582
Notes:"This volume of essays emerged from a panel entitled 'All-women art spaces as heterotopias' that was organised by Agata Jakuboqska during the Fourth Conference of the European Network for Avant-Garde and Modernism Studies (EAM) at the University of Helsinki, 29-31 August 2014."--Page vii.
Includes bibliographical references and index.
Summary:"The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art projects, groups and associations, organised in the long 1970s in Europe (1968-1984). These all-women art initiatives are closely related to developments within the political and politicized women's movement in Europe and America but what emerges is the varied and plural manner of their engagements with feminism(s) alongside their creation of 'heterotopias' in relation to specific sites/ politics/ collaborative art practices. This book presents examples from Italy, Spain, UK, Portugal, Austria, Poland, Denmark, Germany (East and West), The Netherlands and France. While each chapter is largely devoted to one country, the authors point to how the local and specific political situation in which these initiatives emerged is linked to global tendencies as well as inter-European exchanges. Each chapter of this book thus assesses the impact of travelling views of feminism, by considering connections made between women artists (often when travelling abroad) or their knowledge of art practices from abroad."--Back cover.

MARC

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504 |a Includes bibliographical references and index. 
520 8 |a "The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art projects, groups and associations, organised in the long 1970s in Europe (1968-1984). These all-women art initiatives are closely related to developments within the political and politicized women's movement in Europe and America but what emerges is the varied and plural manner of their engagements with feminism(s) alongside their creation of 'heterotopias' in relation to specific sites/ politics/ collaborative art practices. This book presents examples from Italy, Spain, UK, Portugal, Austria, Poland, Denmark, Germany (East and West), The Netherlands and France. While each chapter is largely devoted to one country, the authors point to how the local and specific political situation in which these initiatives emerged is linked to global tendencies as well as inter-European exchanges. Each chapter of this book thus assesses the impact of travelling views of feminism, by considering connections made between women artists (often when travelling abroad) or their knowledge of art practices from abroad."--Back cover. 
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