Art and violence in early Renaissance Florence /

Saved in:
Bibliographic Details
Author / Creator:Nethersole, Scott, author.
Imprint:New Haven, Connecticut : Yale University Press, 2018.
©2018
Description:320 pages : illustrations (chiefly color) ; 28 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11609672
Hidden Bibliographic Details
Other authors / contributors:Yale University Press, publisher.
ISBN:0300233515
9780300233513
Notes:Includes bibliographical references (pages 289-309) and index.
Summary:This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.
Review by Choice Review

This timely book is very much a product of the present era, which is marked by inexplicable violence worldwide and a determination to understand the root causes of violence and the mechanisms that allow it to perpetuate. A specialist in art of the Italian Renaissance, Nethersole (Courtauld Institute of Art, UK) examines select images, and their themes, produced in Florence, mostly during the 15th century. The Florentine public was accustomed to both wanton and staged violence, witnessing frequent belligerencies and, on average, about ten public executions each year. And Christian and classical stories offered up plentiful literary accounts of war, rape, and murder to depict. Even so, questions remain regarding issues such as the copiousness and range of violent imagery, the derivation of pleasure or catharsis in viewing these scenes, the artistry and beauty contemporaneous viewers found in the depiction of violence, and the consequences of regularly visualizing brutality inflicted on women, children, saints, and the innocent. The author takes a broad contextual, non-politicized approach, making a significant contribution to the literature. Including excellent illustrations, this book should raise awareness of the subject. Summing Up: Essential. Upper-division undergraduates through faculty. --A. Victor Coonin, Rhodes College

Copyright American Library Association, used with permission.
Review by Choice Review