The films of Susanne Bier /
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Imprint: | Edinburgh : Edinburgh University Press, [2018] © 2018 |
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Description: | xiv, 298 pages : color illustrations ; 25 cm. |
Language: | English |
Series: | Refocus: The International Directors Series ReFocus: the international directors series. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11619812 |
Table of Contents:
- List of Figures
- Notes on Contributors
- Foreword
- Introduction: Susanne Bier's Boundary-crossing Screen Authorship
- Part 1. Generic and Industrial Fluidity
- 1. Storytelling Schemes, Realism, and Ambiguity: Susanne Bier's Danish Dramas
- 2. Negotiating Special Relationships: Susanne Bier's Comedies
- 3. Susanne Bier's Hollywood Experiments: Things We Lost in the Fire and Serena
- Part 2. Negotiating Identity
- 4. Beginning with Jewish Survival: Freud's Leaving Home
- 5. Stories with Queer Identities
- 6. Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- 7. Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Part 3. Authorship and Aesthetics
- 8. Tracing Affect in Susanne Bier's Dramas
- 9. Vision and Ethics in A Second Chance (En chance til)
- 10. The Truth is in the Eyes: Susanne Bier's Use of Close-ups in The Night Manager
- Part 4. Transnational Reach
- 11. Cinema of the World and Women's Film Culture: Susanne Bier's Transnational Cinema
- 12. From Local to Global: The Bier/Jensen Screen writing Collaboration
- 13. Danish Privilege and Responsibility in the Work of Susanne Bier
- Postscript: A Conversation with Susanne Bier Interview with Susanne Bier conducted
- Filmography of Susanne Bier
- Acknowledgments
- Index