Albert Oehlen, Julian Schnabel /

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Bibliographic Details
Author / Creator:Oehlen, Albert, 1954- artist.
Edition:First edition.
Imprint:[Berlin] : Holzwarth Publications, 2018.
Description:87 pages : chiefly color illustrations ; 31 cm
Language:English
German
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11672559
Hidden Bibliographic Details
Varying Form of Title:Julian Schnabel
Other authors / contributors:Schnabel, Julian, 1951- artist.
Malycha, Christian, writer of supplementary textual content.
Brown, Glenn, 1966- writer of supplementary textual content.
Serner, Alexander, translator.
Galerie Max Hetzler, host institution, issuing body.
ISBN:9783947127085
3947127081
Notes:Published on the occasion of the exhibition held at Galerie Max Hetzler, Berlin, Germany, 14 March-14 April 2018.
One essay in English and German, one essay in English only; other matter in English.
Summary:Since the 1980s, from both sides of the Atlantic, the artists Albert Oehlen and Julian Schnabel have continually questioned and reinvented painting with the help of conceptual strategies, an open approach to style, and a surprising use of found materials. They have been friends for three decades, and now, at a 2018 exhibition at Galerie Max Hetzler Berlin, they interconnect their current artistic positions and their shared past. Beside large-format canvases and smaller works on paper, the two present portraits they made of each other: Albert Oehlen in an oversized, ecclesiastical-looking frock in a positively baroque painting from 1997, and Julian Schnabel in strictly gray hues lounging on a couch, painted specifically for the occasion. In his new paintings shown here, Oehlen reworks the forms and colors he first used in his early abstract work of the mid-1980s with an evolved easiness of invention. Schnabel at that time started painting on used tarpaulins, and here again he collects found fabric, painting on the covers for market stands in Mexico. These bring their own specific marks and stories, over which the artist adds large gestural forms that evoke landscapes, flowers, or figures. An essay by art historian Christian Malycha elucidates this special meeting of minds, while painter Glenn Brown delivers a veritable declaration of love for the work of his two colleagues.

MARC

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500 |a Published on the occasion of the exhibition held at Galerie Max Hetzler, Berlin, Germany, 14 March-14 April 2018. 
520 8 |a Since the 1980s, from both sides of the Atlantic, the artists Albert Oehlen and Julian Schnabel have continually questioned and reinvented painting with the help of conceptual strategies, an open approach to style, and a surprising use of found materials. They have been friends for three decades, and now, at a 2018 exhibition at Galerie Max Hetzler Berlin, they interconnect their current artistic positions and their shared past. Beside large-format canvases and smaller works on paper, the two present portraits they made of each other: Albert Oehlen in an oversized, ecclesiastical-looking frock in a positively baroque painting from 1997, and Julian Schnabel in strictly gray hues lounging on a couch, painted specifically for the occasion. In his new paintings shown here, Oehlen reworks the forms and colors he first used in his early abstract work of the mid-1980s with an evolved easiness of invention. Schnabel at that time started painting on used tarpaulins, and here again he collects found fabric, painting on the covers for market stands in Mexico. These bring their own specific marks and stories, over which the artist adds large gestural forms that evoke landscapes, flowers, or figures. An essay by art historian Christian Malycha elucidates this special meeting of minds, while painter Glenn Brown delivers a veritable declaration of love for the work of his two colleagues. 
546 |a One essay in English and German, one essay in English only; other matter in English. 
600 1 0 |a Oehlen, Albert,  |d 1954-  |v Exhibitions. 
600 1 0 |a Schnabel, Julian,  |d 1951-  |v Exhibitions. 
650 0 |a Art, German  |y 21st century  |v Exhibitions.  |0 http://id.loc.gov/authorities/subjects/sh2009115640 
650 0 |a Art, American  |y 21st century  |v Exhibitions.  |0 http://id.loc.gov/authorities/subjects/sh2009115628 
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700 1 |a Malycha, Christian,  |e writer of supplementary textual content.  |0 http://id.loc.gov/authorities/names/no2007154201  |1 http://viaf.org/viaf/18390609 
700 1 |a Brown, Glenn,  |d 1966-  |e writer of supplementary textual content.  |0 http://id.loc.gov/authorities/names/no95022644  |1 http://viaf.org/viaf/13202075 
700 1 |a Serner, Alexander,  |e translator.  |0 http://id.loc.gov/authorities/names/no2018169821  |1 http://viaf.org/viaf/565154590164143081215 
710 2 |a Galerie Max Hetzler,  |e host institution,  |e issuing body.  |0 http://id.loc.gov/authorities/names/no90025368  |1 http://viaf.org/viaf/144529279 
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