Report on the Aeginetan sculptures : with historical supplements /
Saved in:
| Author / Creator: | Wagner, Johann Martin von, author. |
|---|---|
| Uniform title: | Bericht über die Aeginetischen Bildwerke im Besitz Seiner Königl. Hoheit des Kronprinzes von Baiern. English |
| Imprint: | Albany : State University of New York Press, [2017] |
| Description: | 1 online resource (xxv, 318 pages) |
| Language: | English |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11676029 |
Table of Contents:
- List of Illustrations; A Note on This Translation; Translator's Acknowledgments; A Brief Timeline for the Aegina Marbles; April-May 1811; June-July 1811; July 30, 1811; November 29, 1811; September 1812-August 1813; November 1, 1812; June 1-August 29, 1815; 1816-1818; October 13, 1830; 1845; 1863; 1934-1936; July 16-21, 1944; March 16, 1945; 1948; 1962-1966; 1972; 1988; Translator's Historical Introduction; Nation and Imperialism, or, "Archaeology" and the Grand Tour; Lord Byron and the Elgin Precedent; From Athens to Aegina; Johann Martin Wagner in Greece.
- From Athens to Rome, and the Production of Wagner's ReportSchelling as Editor; From Rome to Munich, at Last; Introduction Endnotes; The Text: Report on the Aeginetan Sculptures in the Possession of His Royal Highness the Crown Prince of Bavaria; Table of Contents; Introduction; Editor's Notes; 1. Description of the Aeginetan Figures by Classification; i. Freestanding (Female) Figures; A.; B.C.; ii. Advancing Figures, or Fighting Soldiers; D.; E.; F.; G.; H.; I.; iii. Kneeling Figures, or Archers; K.; L and M.; N.; iv. Supine Figures, or Wounded Figures; O.; P.; Q.; R.
- 2. Fragments that Belong Either to the Aeginetan Figures or to the TempleA. A Three Heads of Warriors; B.B Fragments of Thighs, Legs, and Feet; C.C Fragments of Arms and Hands; D.D.; E.E.; F.F.; Note from the Editor; Note from the Editor; 3. On the Style of These Figures; Editor's Notes; 4. On the Conflict of Opinion Concerning the Relationship Between the Heads and the Leftover Body Parts from a Sculptural Perspective; Editor's Appendix; 5. On Mechanical Matters, or the Working of the Marble; 6. On the Epoch in Which These Figures Were Probably Completed; Editor's Appendix.
- 7. How and Where These Figures Were Originally Arranged8. On The Meaning or Idea [Vorstellung] of These Figures; Editor's Appendix; 9. On the Painting [Bemalung] of the Figures and of the Temple; Conclusion; Editor's Concluding Remarks; Endnotes; Translator's Historical Afterword; Endnotes to the Translator's Afterword; Appendix One: The Chronology of Charles Cockerell's Grand Tour (1810-1817); Appendix Two: Itinerary of Johann Martin Wagner's Greek Journey (1812-1813); Departure from Italy; The Crossing; Problems of Gunpowder Diplomacy; Landfall at Zante; The Greek Mainland to Athens; Athens.
- Return to RomeAppendix Three: Schelling's 1815 Lecture "On the Deities of Samothrace" as the Prelude to His Work on the Aegina Marbles; Appendix Four: Theories on the Relationship Between Egyptian and Greek, or Aeginetan, Art; Appendix Five: On Polychromatic Greek Art; Endnotes to the Appendices; Bibliography; Index.