Images of the art museum : connecting gaze and discourse in the history of museology /
Saved in:
Imprint: | Boston : Walter de Gruyter, 2017. |
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Description: | 1 online resource (vi, 376 pages) : illustrations (some color) |
Language: | English |
Series: | Contact zones, 2196-3746 ; volume 3 Contact zones (Walter de Gruyter & Co.) ; v. 3. |
Subject: | |
Format: | E-Resource Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11676534 |
Table of Contents:
- Frontmatter
- Contents
- Images of the Art Museum. Connecting Gaze and Discourse in the History of Museology: An Introduction
- Museum Icons, Iconic Museums: (De- )Constructing the Body of Art
- The Art of Civilization: Museum Enemies in the Nineteenth Century
- Stefano Bardini and the Taxonomic Branding of Marketplace Style: From the Gallery of a Dealer to the Institutional Canon
- The Museum Exhibited: documenta and the Museum Fridericianum1
- Word and Image, Institution and Audience
- Museums in Print: The Interplay of Texts and Images in the Journal Museumskunde
- Creating the Idea of the Museum through the Pages of the Journal Mouseion
- The Visible and Invisible: Circulating Images of the Barnes Foundation Collection
- Double Reflections: Art Museums and the Image of the Beholder
- Politics of the "Museal Complex"
- From a Colonial Approach to National Branding: The Evolution of the Concept of the Art Museum in Georgia
- Classical Impressions, Modernist Aspirations: Shaping a Field of Contention at the South African National Gallery (1895--1947)
- Imaginaries of the Art Museum: Banaras and Aundh in Colonial India
- When El Greco (Re)Became Theotocopoulos: Policies and Political Discourse of the National Gallery of Athens
- Building Flagships: Regionalism, Place Branding, and Architecture as Image in the Gallery of Modern Art, Brisbane
- Intermedialities, Shifting Images
- Scottie Sees Beauty: Representations of the Museum in Classic Cinema
- The Museum in Print: André Malraux's Musée Imaginaire and André Vigneau's Photographic Encyclopaedia of Art
- The Museum Goes Collaborative: On the Digital Escapades of an Analogue Medium
- Museum as Textum: Orhan Pamuk's Museum of Innocence
- Authors
- Picture Credits
- Plates