Mantegna & Bellini /

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Bibliographic Details
Author / Creator:Campbell, Caroline, 1973- author.
Imprint:London, England : National Gallery Company ; [Berlin, Germany] : in association with Staatliche Museen zu Berlin, 2018.
[New Haven, Connecticut] : Distributed by Yale University Press
Italy : Conti Typocolor
©2018
Description:303 pages : illustrations (chiefly color) ; 29 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11700606
Hidden Bibliographic Details
Varying Form of Title:Mantegna and Bellini
Other authors / contributors:Korbacher, Dagmar, author, translator.
Weick-Joch, Katharina, translator.
Rowley, Neville, author, translator.
Vowles, Sarah, author.
De Marchi, Andrea, author, translator.
Dunkerton, Jill, author.
Hartwieg, Babette, author.
National Gallery (Great Britain), issuing body, publisher, organizer, host institution.
Staatliche Museen zu Berlin (Germany), issuing body, publisher, organizer, host institution.
ISBN:1857096347
9781857096347
9781857096354
1857096355
Notes:Published to accompany the exhibition Mantegna & Bellini, the National Gallery, London 1 October 2018 to 27 January 2019; Mantegna und Bellini, Meister der Renaissance, Gemäldegalerie, Staatliche Museen zu Berlin 1 March to 30 June 2019.
Includes bibliographical references and index.
"Mantegna & Bellini" : October 1, 2018-January 27, 2019, The National Gallery, London, England, United Kingdom.
"Mantegna und Bellini: Meister der Renaissance" : March 1-June 30, 2019, Gemäldegalerie der Staatlichen Museen zu Berlin, Berlin, Germany.
Text in English, translated from the Italian, French, and German.
Review by Choice Review

Andrea Mantegna and Giovanni Bellini were among the leading artistic luminaries of the second half of the 15th century, and they were also brothers-in-law, Mantegna having married Bellini's sister Nicolosia. This beautifully produced, full-color catalogue accompanies a joint 2018--19 exhibition of the same title at the National Gallery in London and the Staatliche Museen in Berlin. On the surface, Mantegna and Bellini are very different artists--Mantegna is known for his erudite humanistic subjects and linear, sculptural style, Bellini for his atmospheric and painterly landscapes and devotional works. Campbell (head curator, National Gallery) and her fellow contributors explore how Renaissance masters displayed a knowledge and awareness of one another's work, responding to one another's styles and revisiting parallel themes. Bellini avoided subjects that might invite comparison between them "out of respect for master Andrea Mantegna." Unconventional in its organization, the catalogue features a series of short thematic essays in place of traditional catalogue entries; this arrangement may frustrate scholars because they will have to consult the checklist of exhibited works buried at the end of the volume. This structure does, however, make the book more appealing as an independent resource, and its topical entries will be of particular value in teaching. Summing Up: Recommended. Upper-division undergraduates through faculty. --Jesse Locker, Portland State University

Copyright American Library Association, used with permission.
Review by Choice Review