The letters of Flannery O'Connor and Caroline Gordon /

Saved in:
Bibliographic Details
Author / Creator:O'Connor, Flannery, correspondent.
Imprint:Athens : The University of Georgia Press, [2018]
Description:xiv, 254 pages ; 24 cm
Language:English
Subject:
Format: E-Resource Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11700683
Hidden Bibliographic Details
Other authors / contributors:Gordon, Caroline, 1895-1981, correspondent.
Flanagan, Christine, 1969- editor.
ISBN:9780820354088
0820354082
9780820354071
Notes:Includes bibliographical references and index.
Summary:"Flannery and Caroline: The Letters of Flannery O'Connor and Caroline Gordon, 1951-1964 is a full, annotated collection of the letters between two of the South's most acclaimed writers, from 1951 to 1964, the year of O'Connor's death. To date, only nine letters of the O'Connor-Gordon correspondence, scattered across four publications, so this volume will fill a major gap in our understanding of the two writers. Gordon (1895-1981), a more established writer at the start of their correspondence, acted as a mentor to the younger O'Connor (1924-1964). Gordon offered critical commentary on early versions of such legendary O'Connor stories as "A Good Man is Hard to Find" and "The Displaced Person," as well as O'Connor's debut novel, Wise Blood. Over the course of thirteen years, the letters in this collection reveal a deep friendship between two literary masters, as well as their roots, influences, concerns, and regrets"--
Review by Choice Review

This collection of letters between O'Connor and southern novelist Caroline Gordon is revelatory. Edited by Christine Flanagan (Univ. of the Sciences, Philadelphia), who also provides contextual commentary, these previously unpublished letters create a singular picture of the young O'Connor learning from a master teacher 30 years her senior. Gordon, who had already published eight novels by the time she met O'Connor, writes detailed responses to O'Connor's drafts, adding lengthy instructions on tone, point of view, and symbol. Gordon recognized that she was in the presence of genius, but she also provided stern correctives, which O'Connor took to heart (she followed much of Gordon's advice in the structuring of her stories and development of character). Gordon's letters sometimes reveal a certain obsessiveness and frenzy as her marriage to poet Allen Tate disintegrates. Nevertheless, she recognizes O'Connor as a writer with concerns she shares: "If I read your work aright," she writes, "you are viewing the rural South through the eyes of Roman Catholicism. Nobody else has done this." No other book on or by O'Connor reveals so much about her process of creation. Summing Up: Highly recommended. Lower-division undergraduates through faculty; general readers. --Jill P Baumgaertner, emerita, Wheaton College (IL)

Copyright American Library Association, used with permission.
Review by Choice Review