Immigrant, Montana /

MY STRUGGLE: Book 6, by Karl Ove Knausgaard. Translated by Don Bartlett and Martin Aitken. (Archipelago, $33.) This hefty volume concludes the Norwegian author's mammoth autobiographical novel with lengthy exegeses on art, literature, poetry and Hitler (whose "Mein Kampf" gives Knausgaard his title). LAKE SUCCESS, by Gary Shteyngart. (Random House, $28.) Shteyngart's prismatic new road-trip novel stars a Wall Street finance bro, loaded down with job and family woes, who impulsively hops on a Greyhound bus headed west. We do not root for him, but we root for his comeuppance. THE FIELD OF BLOOD: Violence in Congress and the Road to Civil War, by Joanne B. Freeman. (Farrar, Straus & Giroux, $28.) A noted historian uncovers the scores of brawls, stabbings, pummelings and duel threats that occurred among congressmen between 1830 and 1860. The mayhem was part of the ever-escalating tensions over slavery. OHIO, by Stephen Markley. (Simon & Schuster, $27.) This debut novel, set at a class reunion, churns with such ambitious social statements and insights - on hot-button issues of the past dozen years - that at times it feels like a kind of fiction/op-ed hybrid. HIS FAVORITES, by Kate Walbert. (Scribner, $22.) A middle-aged woman recalls, haltingly, how she was groomed by a charismatic high school English teacher in this powerful novel of trauma and survival that couldn't be more timely. The looping narrative amounts to a cathartic experiment in taking control of one's own story. IMMIGRANT, MONTANA, by Amitava Kumar. (Knopf, $25.95.) Kumar's novel of a young Indian immigrant who recounts his loves lost and won as a college student in the early 1990s has the feeling of thinly veiled memoir. It's a deeply honest look at a budding intellectual's new experience of America, filled with both alienation and an aching desire to connect. PASSING FOR HUMAN: A Graphic Memoir, by Liana Finek. (Random House, $28.) Finck's cartoons in The New Yorker offer dispatches from an eccentric, anxious mind. Her memoir grapples with what it means to accept your own weirdness and separation from a world that doesn't understand you. THE WINTER SOLDIER, by Daniel Mason. (Little, Brown, $28.) In this crackling World War I novel, a young medical student is dispatched to a desolate hamlet on the Eastern Front, where he teams with a rifle-wielding nun to treat soldiers. THE ASSASSINATION OF BRANGWAIN SPURGE, by M. T. Anderson and Eugene Yelchin. (Candlewick, $24.99; ages 10 and up.) In this wildly original book (a National Book Award contender), emissaries of the feuding elf and goblin kingdoms seek peace. The full reviews of these and other recent books are on the web: nytimes.com/books

Kailash, also known as AK-47, is a graduate student from India in the early 1990s, wide-eyed and ready for an education in the ways of the West. Early on, it becomes apparent that he is insecure and inexperienced in the art of romance, a problem compounded by his alienation: I was overcome by a feeling that took root then and has never left me, the feeling that in this land that was someone else's country, I did not have a place to stand. Kumar (Lunch with a Bigot, 2015) effectively traces Kailash's gradual evolution from a sex-starved Beavis and Butt-Head-like persona who uses and hurts women at will to a more mature man who contrasts his current circumstances with his past and his roots. No one in my family had married outside our caste. Love was the province ruled by kids with cars and membership to clubs. Though a bit disjointed, interspersed, as it is, with musings about historical figures and insights into colonialism, Kumar's immigrant tale is nonetheless arresting.--Apte, Poornima Copyright 2010 Booklist

The plot of Kumar's droll and exhilarating second novel (following Nobody Does the Right Thing) may feel familiar at first, but this coming-of-age-in-the-city story is bolstered by the author's captivating prose, which keeps it consistently surprising and hilarious. Indian immigrant Kailash arrives in New York in 1990 wide-eyed but also wry, self-aware, and intellectually thirsty. Kailash lives uptown and attends college, and soon has his first sexual experience, with the socially conscious Jennifer, a coworker at the bookstore where he works, who brings him hummus and takes him ice skating. After he and Jennifer break up, he begins to date the mischievous Nina, followed by a series of other young women; the novel's seven parts are titled after Kailash's romantic partners, his formal education intertwined with his personal education. Nina takes Kailash to Montana, where his memories of lovemaking are tangled with snippets of Victor Hugo, Wittgenstein, and the history of British colonialism in India. After several peregrinations, explorations, and women, Kailash lands back in Manhattan with a similarly academically curious woman named Cai Yan, who is also from India. Ultimately, his journey is more intellectual than physical, and the book includes a plethora of lively literary and cultural references in footnotes, sidebars, and illustrations. This novel is an inventive delight, perfectly pitched to omnivorous readers. 50,000-copy announced first printing. (July) © Copyright PWxyz, LLC. All rights reserved.

Blurring the line between fiction and nonfiction, this second novel from Vassar English professor/journalist Kumar (after Husband of a Fanatic) is a hybrid text (partly autobiographical) that moves seamlessly between Indian immigrant graduate student Kailash and numerous real-life figures and events. Kailash arrived in New York as a graduate student two decades previously, and his transformation from foreigner to citizen is reflected in his very name, adapted to Kalashnikov-an iconic Kumar irony because a Soviet assault weapon is more American than the holy pilgrimage site Kailash's name suggests-or truncated to the easier AK or just 47. Kumar explicates Kailash's "in-between" immigrant journey through his loves, his friends, and his mentors. In what is cleverly presented as a self-defense before an imaginary judge, Kailash recalls and challenges his memories, underscoring both his assimilation and his rebellion. VERDICT Cosmopolitan readers interested in -multicultural literary fiction-à la Kiran Desai, Ha Jin, and Hanif -Kureishi-will find affinity in this modern Bildungs-roman of an erudite global citizen. [See Prepub Alert, 1/22/18.]-Terry Hong, -Smithsonian BookDragon, Washington, DC © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

An Indian graduate student arrives in New York determined to sort out both his love life and post-colonialism.There are mixed results for the narrator and the novel both, though the two are closely aligned since the book is inspired by Kumar's (English/Vassar; Nobody Does the Right Thing, 2010, etc.) own experiences. Kailash comes to America in 1990 prepared to study the intersection of the West and his native India. Intellectual stimulation abounds, but he still feels disconnected: "In this land that was someone else's country, I did not have a place to stand," Kumar writes. In that regard, he's upending the traditional immigrant narrative by writing an assimilation novel whose hero can't quite assimilate. But it's not for want of trying. One relationship fizzles after his girlfriend gets an abortion; another ends when the literal and cultural distance between them becomes too much to overcome. (It didn't help that when he proposed marriage, she said, "You want to do it for the green card?") Academically, Kailash is taken under the wing of Ehsaan Ali, a political scholar (modeled after Eqbal Ahmad) who once conspired to kidnap Henry Kissinger. Kailash's intellectual pursuitsparticularly the life of Agnes Smedley, an American who supported anti-British Indian revolutionariesare woven alongside his personal ones. It's a loose braid, though, and not always an artful one. Kumar's novel is modeled on the free-range autofictions of Teju Cole or Ben Lerner, prizing interior contemplation of a host of subjects instead of a strong narrative spine. Kumar, though, never quite settles into a comfortable emotional modethe book is sometimes academically stiff, sometimes pleading (he often delivers asides to "Your Honor," as if his identity were on trial). As an evocation of the confusions of global disconnection, it's an effective strategy but not always a narratively compelling one.A whip-smart if sometimes-arid exploration of homeor lack thereof. Copyright Kirkus Reviews, used with permission.