Theatre and cartographies of power : repositioning the Latina/o Americas /
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| Imprint: | Carbondale : Southern Illinois University Press, [2018] ©2018 |
|---|---|
| Description: | xii, 302 pages : illustrations ; 24 cm. |
| Language: | English |
| Series: | Theater in the Americas Theater in the Americas. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11725394 |
MARC
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| 050 | 0 | 0 | |a PN2309 |b .T476 2018 |
| 082 | 0 | 0 | |a 792.098 |2 23 |
| 245 | 0 | 0 | |a Theatre and cartographies of power : |b repositioning the Latina/o Americas / |c edited by Jimmy A. Noriega and Analola Santana. |
| 246 | 3 | |a Theater and cartographies of power | |
| 264 | 1 | |a Carbondale : |b Southern Illinois University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a xii, 302 pages : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a unmediated |b n |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/n | ||
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| 490 | 1 | |a Theater in the Americas | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: subverting the theatrical map / Jimmy A. Noriega and Analola Santana -- Crafting theoretical frameworks from beyond the U.S. borders photo performance: transient corporalities / Violeta Luna -- The liminal as constitutive of the theatrical event and the concepts of Teatro-Matriz and Liminal Theatre / Jorge Dubatti -- Communitas of pain: performativities in mourning / Ileana Diéguez -- Crisis, tension, and freedom: theatre and the baroque / Patricio Vallejo Aristizábal -- A personal map/live hieroglyphs / Gustavo Ott -- Rethinking histories of geography -- Remapping Bogotá: Fernando de Orbea's invented narrative of conquest / Gad Guterman -- To imagine a nuevomexicano theatre history / Brian Eugenio Herrera -- Radical exposure: Regina José Galindo's Earth / Diana Taylor -- Searching for home in all the wrong places: why my Nuyorican reality is stateless / Migdalia Cruz -- The ambiguity of a country that does not think: cartographic exercise of a gay theatre in Peru / Diego La Hoz -- Siempre norteada: a PTSD survivor's guide for navigating (dis)orientation / Virginia Grise -- Minstrels of empire: blackface and Black labor in Panama, 1850-1914 / Katherine Zien -- Conquering a territory, occupying the stage: notes on Black theatre and activism in Brazil / Carlos Cortez Minchillo -- From my universal village: the winged word / Concepción León -- Repositioning migration: trabajadores desde otro mundo / Debra A. Castillo -- The power of space / Elaine Romero -- Modernity in crisis: Enrique Buenaventura and the new theatre / Beatriz Rizk -- Experiences from the center of Abya Yala / Roxana Avila Harper -- Contemporary and Andean authorship / Diego Aramburo -- The flight of the Golden Falcon: a road into war's profound sorrow / Ana Correa -- Cabaret as a new muralism / Astrid Hadad -- Cuba: changing stages? / Eberto García Abreu -- Breaking the North-South paradigm / Cladio Valdés Kuri -- Buenos Aires artists and contemporary transnational performance networks: Lola Arias transports the real / Jean Graham-Jones -- Zoot suit in Mexico City: the geopolitical map for a new American theatre / Alma Martinez -- Latina performance north and transnational acciones against feminicide in the Americas / Natalie Alvarez -- Inner dance. Outer joy. Autology. A route / Josefina Báez -- The geopolitical challenges of directing bilingual plays: from the mainstream to the streets / Jorge Huerta -- Notes from a geographer Manqué / Guillermo Verdecchia. | |
| 520 | |a From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices--back cover. | ||
| 650 | 0 | |a Theater |z Latin America. |0 http://id.loc.gov/authorities/subjects/sh2010116237 | |
| 650 | 0 | |a Theater and society |z Latin America. | |
| 650 | 7 | |a HISTORY |x Latin America. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Theater. |2 fast |0 http://id.worldcat.org/fast/fst01149217 | |
| 650 | 7 | |a Theater and society. |2 fast |0 http://id.worldcat.org/fast/fst01149315 | |
| 651 | 7 | |a Latin America. |2 fast |0 http://id.worldcat.org/fast/fst01245945 | |
| 700 | 1 | |a Noriega, Jimmy A., |e editor. |0 http://id.loc.gov/authorities/names/no2017134102 |1 http://viaf.org/viaf/20150868168822071341/ | |
| 700 | 1 | |a Santana, Analola, |e editor. |0 http://id.loc.gov/authorities/names/nb2015006737 |1 http://viaf.org/viaf/315181555/ | |
| 830 | 0 | |a Theater in the Americas. |0 http://id.loc.gov/authorities/names/n2002026066 | |
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