The aesthetic animal /

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Bibliographic Details
Author / Creator:Høgh-Olesen, Henrik, author.
Imprint:New York, NY : Oxford University Press, [2019]
©2019
Description:xiv,167 pages : illustrations (chiefly color) ; 25 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11797854
Hidden Bibliographic Details
ISBN:0190927925
9780190927929
Notes:Includes bibliographical references (pages 147-158) and index.
Summary:'The Aesthetic Animal' answers the ultimate questions of why we adorn ourselves, embellish our things and surroundings, and produce art, music, song dance, and fiction. Humans are aesthetic animals that spend vast amounts of time and resources on seemingly useless aesthetic activities. However, nature would not allow a species to waste precious time and effort on activities completely unrelated to survival, reproduction, and the well-being of that species. Consequently, the aesthetic impulse must have some important biological functions. A number of observations indicate that the aesthetic impulse is an inherent part of human nature, and therefore a primary impulse in its own right with several important functions: The aesthetic impulse may guide us toward what is biologically good for us, and help us choose the right fitness enhancing items in our surroundings. It is a valid individual fitness indicator as well as a unifying social group marker, and aesthetically skilled individuals get more mating possibilities, higher status and more collaborative offers. The book is written in a lively and entertaining tone, with beautiful color illustrations. It covers a wide field of aesthetic behaviors from cave art, graffiti, tattoos, and piercings over fashion, design, music, song, and dance. It presents an original and comprehensive synthesis of the empirical field, synthesizing data from archaeology, cave art, anthropology, biology, ethology, behavioral- and evolutionary psychology and neuro-aesthetics.
Review by Choice Review

Evolutionary aesthetics seeks to naturalize the study of the human aesthetic impulse and identify its role in human evolutionary development. One of the major open questions in evolutionary aesthetics is whether the uniquely human impulse to adorn ourselves and our surroundings is an adaptive trait (i.e., serving a fitness-enhancing function) or merely a by-product of other adaptive traits (i.e., an accident supervening on other adaptive biological traits). Arguing in favor of the former position, Høgh-Olesen (Univ. of Aarhus, Denmark) provides a brief introduction to major areas of inquiry: whether the pursuit of aesthetic stimulation is driven by pleasure or need, how aesthetic pursuit may have been conditioned in prehistory, how aesthetic value is connected to reproductive success, how our proclivity for decoration is rooted in a biological need to signal fitness and social status, and how aesthetic behavior is at the biological, psychological, and neurological foundation of the human species. This is a satisfactory introduction to the field, though readers seeking a more robust introduction, with greater attention to the interplay between the philosophy and biology of aesthetics, may prefer Dutton's The Art Instinct (CH, Sep'09, 47-0074). Summing Up: Recommended. Undergraduates and general readers. --Lane Alan Wilkinson, University of Tennessee at Chattanooga

Copyright American Library Association, used with permission.
Review by Choice Review