Michelangelo's sculpture : selected essays /

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Bibliographic Details
Author / Creator:Steinberg, Leo, 1920-2011, author.
Imprint:Chicago : The University of Chicago Press, 2018.
©2018
Description:xiv, 226 pages ; 29 cm.
Language:English
Series:Essays by Leo Steinberg
Steinberg, Leo, 1920-2011. Essays. Selections. 2018.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11798359
Hidden Bibliographic Details
Other authors / contributors:Schwartz, Sheila, editor.
ISBN:9780226482576
022648257X
9780226482606
Notes:Includes bibliographical references and index.
Summary:Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo's work, revealing the symbolic structures underlying the artist's highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo's most celebrated sculptures, applying principles gleaned from long, hard looking.
Standard no.:40028791196
Review by Choice Review

This book is the first in a series of five volumes in the "Essays by Leo Steinberg" series, which will offer selected treasures, some obscure, revealing the unique erudition and insight of the late Steinberg (1920--2011). Steinberg was one of the most important art historians of his generation, but not everything he wrote made it into print before his death. The present volume makes available not only Steinberg's published essays and their subsequent revisions but also unpublished lectures, a review, and other revealing addenda to his life and legacy. The essays focus on Michelangelo's sculpture (particularly the Pietà, Medici Madonna, and attributed Cupid in New York) but also included and important are Steinberg's writings about his method of looking at and writing about art. Schwartz's preface, an introduction by art historian Richard Neer (Univ. of Chicago), and a lengthy chronology help make the man just as fascinating as his writings, here listed in a comprehensive bibliography. Schwartz has produced a respectful and erudite trove for all students and scholars interested in art. These writings, and those in forthcoming volumes in the series (the next release will be Michelangelo's Paintings, 2019), will have inestimable value for anyone willing to take the rewarding plunge into Steinberg's mind. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals; general readers. --A. Victor Coonin, Rhodes College

Copyright American Library Association, used with permission.
Review by Choice Review