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|x 032000
|2 bisacsh
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100 |
1 |
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|a Moeran, Brian.
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245 |
1 |
0 |
|a Negotiating Values in the Creative Industries :
|b Fairs, Festivals and Competitive Events.
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260 |
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|a Cambridge :
|b Cambridge University Press,
|c 2011.
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300 |
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|a 1 online resource (378 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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|a Cover; Title; Copyright; Contents; List of figures; List of tables; List of contributors; Acknowledgements; Introduction; Creative industries; Fairs and festivals; Values; Tournament fields; Configuring the volume; Notes; References; 1 A Salon's life: field-configuring event, power and contestation in a creative field; Power and contestation over values in creative FCEs; Hierarchy and conflict over values in creative fields; Empirical setting and method; The Salon: 1737 to the 1840s; The second period: the 1840s to 1881; Discussion and conclusion; 2 Art fairs: the market as medium; Note.
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|a Reference3 Biennalization and its discontents; Introduction; The biennale industry; The acculturation of difference; Creativity and its discontents; Notes; References; 4 Staging auctions: enabling exchange values to be contested and established; Notes; References; 5 The book fair as a tournament of values; The publishing industry; Book fairs; Daily fair activities; Visibility; Conclusion; Notes; References; 6 Inventing universal television: restricted access, promotional extravagance, and the distribution of value at global television markets; Television programme markets.
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505 |
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|a How television travelsGlobal sales markets; Programme markets as tournaments of values; Restricted access and promotional extravagance as indicators of prestige; Limited access and tournament networks; Universal programming as distributor reputation; Gathering intelligence at market; Conclusion; Notes; References; 7 Transforming film product identities: the status effects of European premier film festivals, 1996-2005; Film festivals and the film festival field2; Regulation, accreditation and co-ordination of film festivals; Film festivals as FCEs; The effects of identity configuration.
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|a The studyResults; Discussion; Notes; References; 8 Event institutionalization and maintenance: the Annecy animation festival 1960-2010; Theoretical background:; Event institutionalization and maintenance; Case study: animation industry characteristics and the Annecy event1; Early development and institutionalization:; Growth, market creation and annualization:; Renewal, transaction and brokerage:; Discussion: processes of event institutionalization; Managing critical transitions; Identity and symbolic-discursive maintenance; Field-level position as a boundary organization; Conclusion; Notes.
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504 |
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|a References9 Tradition and transformation at the Fan Fair festival; Data; The transformation of Fan Fair; City values; The space of heritage; From label to chart: festival booking; Brand alliances and the new country consumer; Conclusion; Notes; References; Appendix 9.1: selected interviews; 10 Between art and commerce: London Fashion Week as trade fair and fashion spectacle; Methodology; Fashion week as trade fair:; Boundaries and access; Seeing and being seen:; Visibility and membership; Performing (in) the field: fashion habitus and capital; Conclusion; Notes; References.
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500 |
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|a 11 Configuring sustainability at fashion week.
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520 |
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|a A fascinating new perspective on the role and importance of fairs, festivals and competitive events in the creative industries.
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588 |
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|a Print version record.
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546 |
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|a English.
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650 |
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0 |
|a Creative ability
|x Economic aspects.
|
650 |
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0 |
|a Cultural industries.
|0 http://id.loc.gov/authorities/subjects/sh99004266
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650 |
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|a Fairs
|x Economic aspects.
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650 |
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0 |
|a Festivals
|x Economic aspects.
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650 |
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|a Value.
|0 http://id.loc.gov/authorities/subjects/sh85141930
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650 |
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7 |
|a BUSINESS & ECONOMICS
|x Industries
|x Retailing.
|2 bisacsh
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650 |
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|a BUSINESS & ECONOMICS
|x Marketing
|x Direct.
|2 bisacsh
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650 |
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|a TRAVEL
|x Shopping.
|2 bisacsh
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650 |
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7 |
|a Creative ability
|x Economic aspects.
|2 fast
|0 (OCoLC)fst01982461
|
650 |
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7 |
|a Cultural industries.
|2 fast
|0 (OCoLC)fst00885002
|
650 |
|
7 |
|a Festivals
|x Economic aspects.
|2 fast
|0 (OCoLC)fst00923331
|
650 |
|
7 |
|a Value.
|2 fast
|0 (OCoLC)fst01163873
|
650 |
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|a Kulturwirtschaft
|2 gnd
|0 http://d-nb.info/gnd/4268059-1
|
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|a Großveranstaltung
|2 gnd
|0 http://d-nb.info/gnd/4121388-9
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|a Festspiel.
|2 gnd
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|a Kulturwirtschaft.
|2 idszbz
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|a Wirtschaft.
|2 idszbz
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650 |
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|a Kreativität.
|2 idszbz
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650 |
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7 |
|a Festspiel.
|2 idszbz
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650 |
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|a Kultur
|x ekonomiska aspekter.
|2 sao
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650 |
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7 |
|a Marknader
|x ekonomiska aspekter.
|2 sao
|
650 |
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|a Festivaler
|x ekonomiska aspekter.
|2 sao
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|a Kulturindustri.
|2 sao
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655 |
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|a Electronic books.
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655 |
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4 |
|a Electronic books.
|
700 |
1 |
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|a Strandgaard Pedersen, Jesper.
|
776 |
0 |
8 |
|i Print version:
|a Moeran, Brian.
|t Negotiating Values in the Creative Industries : Fairs, Festivals and Competitive Events.
|d Cambridge : Cambridge University Press, ©2011
|z 9781107004504
|
903 |
|
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|
929 |
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928 |
|
|
|t Library of Congress classification
|a HD9999.C9472 N44 2011
|l Online
|c UC-FullText
|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=400571
|z eBooks on EBSCOhost
|g ebooks
|i 12359161
|