Music technology /

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Bibliographic Details
Author / Creator:Escrivan Rincón, Julio d', 1957-
Imprint:Cambridge ; New York : Cambridge University Press, 2012.
Description:1 online resource (xvii, 215 pages) : illustrations
Language:English
Series:Cambridge introductions to music
Cambridge introductions to music.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11829974
Hidden Bibliographic Details
ISBN:9781139161329
1139161326
9780511732539
0511732538
1139157507
9781139157506
1139152807
9781139152808
1107226503
9781107226500
9786613720504
661372050X
1139159275
9781139159272
9781107000803
1107000807
9780521170420
0521170427
9781139157506
Notes:Includes bibliographical references and index.
English.
Print version record.
Summary:Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.
Other form:Print version: Escrivan Rincón, Julio d', 1957- Music technology. Cambridge ; New York : Cambridge University Press, 2012 9781107000803
Standard no.:9786613720504
40020499034

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490 1 |a Cambridge introductions to music 
504 |a Includes bibliographical references and index. 
505 0 |a Representing and storing sound -- A studio overview -- Synthesiser, samplers, and drum machines -- Live music technology (the FAQs) -- Select, remix, mashup -- The producer -- Music, sound, and visual media -- The studio as experimental lab -- Controllers : new creative possibilities in performance -- Hacking electronics for music -- Further avenues for exploration. 
588 0 |a Print version record. 
520 |a Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music. 
546 |a English. 
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650 0 |a Sound  |x Recording and reproducing  |x Digital techniques.  |0 http://id.loc.gov/authorities/subjects/sh85125369 
650 7 |a MUSIC  |x Genres & Styles  |x Electronic.  |2 bisacsh 
650 7 |a Music  |x Data processing.  |2 fast  |0 (OCoLC)fst01030309 
650 7 |a Sound  |x Recording and reproducing  |x Digital techniques.  |2 fast  |0 (OCoLC)fst01126959 
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