The Ballets russes and beyond : music and dance in belle-époque Paris /
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| Author / Creator: | Caddy, Davinia, 1980- |
|---|---|
| Imprint: | Cambridge ; New York : Cambridge University Press, 2012. |
| Description: | 1 online resource (xvi, 237 pages) : illustrations |
| Language: | English |
| Series: | New perspectives in music history and criticism ; 22 New perspectives in music history and criticism ; 22. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/11830082 |
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| 100 | 1 | |a Caddy, Davinia, |d 1980- |0 http://id.loc.gov/authorities/names/n2011061266 | |
| 245 | 1 | 4 | |a The Ballets russes and beyond : |b music and dance in belle-époque Paris / |c Davinia Caddy. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2012. | ||
| 300 | |a 1 online resource (xvi, 237 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New perspectives in music history and criticism ; |v 22 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; The Ballets Russes and Beyond; Series; Title; Copyright; Dedication; Contents; Examples; Figures; Note on presentation; Acknowledgements; 1: Introduction: Le Génie de la danse; Period pleasure; Paris dancing; The Midas touch; Revisionism; Music and dance; Musicology and dance; A dual project; Suspended dualities; 2: Ballet at the Opéra and La Fête chez Thérèse; Backward glances: scene and narrative; Backbone: the score; Back-chat: music and drama; Comparing scores; Back to reality? A counter-narrative; Backing up (conclusion); 3: Nijinsky's Faune revisited; Synopsis; Illusionism. | |
| 505 | 8 | |a ContemporaneityThe audio-visual contract; A web of affinity; Disciplinary resistance (conclusion); 4: Metaphors of invasion: the Ballets Russes and the French press; Puff; Confronting the press; Cosmopolitics; La Saison russe: les ballets juifs; L'invasion des barbares; From cosmopolitisme through primitivisme; Tripatouillage; Metaphors of invasion; Bad press; Vers l'erreur (conclusion); 5: Beyond and behind Le Coq d'or; The origins of Le Coq d'or; Le Coq d'or in the press; Superposition; The French response: opera (and singing); Ballet (and gesture). | |
| 505 | 8 | |a The 'gesticulation' of opera: operatic performanceThe influence of music; Dance within opera; Opera-ballet; Danced opera; A trump card and a passport (conclusion); Select bibliography; Archives; French newspapers and journals; Books, articles and unpublished theses; Index. | |
| 520 | |a A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris. | ||
| 588 | 0 | |a Print version record. | |
| 610 | 2 | 0 | |a Ballets russes |x History. |
| 610 | 2 | 7 | |a Ballets russes. |2 fast |0 (OCoLC)fst00586067 |
| 610 | 2 | 7 | |a Ballets Russes |2 gnd |0 http://d-nb.info/gnd/16047158-8 |
| 650 | 0 | |a Ballet |z France |z Paris |x History |y 20th century. | |
| 650 | 0 | |a Dance |z France |z Paris |x History |y 20th century. | |
| 650 | 0 | |a Music |z France |z Paris |x History |y 20th century. | |
| 651 | 0 | |a Paris (France) |x Social life and customs |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh85098073 | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x Classical & Ballet. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x Modern. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x Reference. |2 bisacsh | |
| 650 | 7 | |a Performing Arts. |2 eflch | |
| 650 | 7 | |a Ballet. |2 fast |0 (OCoLC)fst00826017 | |
| 650 | 7 | |a Dance. |2 fast |0 (OCoLC)fst00887402 | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a France |z Paris. |2 fast |0 (OCoLC)fst01205283 | |
| 650 | 1 | 7 | |a Balletgezelschappen. |2 gtt |
| 650 | 1 | 7 | |a Les Ballets russes. |2 gtt |
| 650 | 1 | 7 | |a Dansers. |2 gtt |
| 651 | 7 | |a Parijs. |2 gtt | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 4 | |a Electronic books. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Caddy, Davinia, 1980- |t Ballets russes and beyond. |d Cambridge ; New York : Cambridge University Press, 2012 |z 9781107014404 |w (DLC) 2011035583 |w (OCoLC)753468463 |
| 830 | 0 | |a New perspectives in music history and criticism ; |v 22. |0 http://id.loc.gov/authorities/names/n93107873 | |
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| 928 | |t Library of Congress classification |a GV1786.B35 |l Online |c UC-FullText |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=443650 |z eBooks on EBSCOhost |g ebooks |i 12369037 | ||