Berlin noir /

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Bibliographic Details
Imprint:Brooklyn, New York : Akashic Books, [2019]
Description:285 pages : map ; 21 cm.
Language:English
Series:Akashic noir series
Akashic noir series.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11854107
Hidden Bibliographic Details
Other authors / contributors:Wörtche, Thomas, editor, writer of introduction.
Jones, Lucy Renner, translator.
ISBN:9781617756320
1617756326
Summary:"The 13 stories in this welcome entry in Akashic's noir series, all set in 21st-century Berlin, are less about traditional crime and more likely to involve gentrification, immigrants, or Airbnb...There's more than enough variety to entertain most readers." -- Publishers Weekly "A city with a rich noir past looks beyond its history to an equally unsettling present...Wörtche keeps his promise to show Berlin as 'always moving forward in the present' in this determinedly contemporary but genuinely noir collection." -- Kirkus Reviews Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir . Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Zoë Beck, Ulrich Woelk, Susanne Saygin, Robert Rescue, Johannes Groschupf, Ute Cohen, Katja Bohnet, Matthias Wittekindt, Kai Hensel, Miron Zownir, Max Annas, Michael Wuliger, and Rob Alef. Translated from German by Lucy Jones. From the introduction by Thomas Wörtche: Berlin does not make it easy to write noir fiction--or perhaps Berlin makes it too easy. Noir tradition casts a long, influential, and even daunting shadow. Alfred Döblin's and Christopher Isherwood's works, some of Bertolt Brecht's plays, the Morgue poems by Gottfried Benn, M by Fritz Lang, and many other narratives from the first third of the twentieth century, all of which are tinged with noir, set high intellectual standards, and literary and aesthetic benchmarks that are hard to surpass... Neither Döblin nor Benn, Brecht nor Lang, catered to any crime fiction traditions. They merely steeped their literary projects in a great deal of noir. And so it is with most of the stories in our anthology: they do not necessarily follow the usual patterns of crime fiction, but regard noir as a license to write as they wish, a certain way of approaching the city, and a prism through which its nature is viewed...What's left is history. It is omnipresent in Berlin at every turn; the city issaturated in a history full of blood, violence, and death.
Review by Publisher's Weekly Review

The 13 stories in this welcome entry in Akashic's noir series, all set in 21st-century Berlin, are less about traditional crime and more likely to involve gentrification, immigrants, or Airbnb. Contemporary social themes are present, such as in Max Annas's "Local Train," in which a clumsy attempt by a group of immigrants to take revenge on a neo-Nazi thug comes to an unexpected conclusion, or Katja Bohnet's "Fashion Week," in which a woman retaliates against an abusive lover less for his personal violence than for his exploitation of foreign workers. Dark comedy is found in Susanne Saygin's "The Beauty of Kenilworth Ivy," which features a Dexter-like serial killer with a botanical bent, and in Robert Rescue's "One of These Days," a romp through the challenges of dealing with a suicide's inconvenient corpse. Rob Alef's "Dog Tag Afternoon" is one of the few stories to make use of the city's dramatic history, linking a contemporary homicide to the Berlin Airlift. Though the selections contain little actual noir, there's more than enough variety to entertain most readers. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A city with a rich noir past looks beyond its history to an equally unsettling present.As editor Wrtche acknowledges, "Noir tradition casts a long, influential, and even daunting shadow" over Berlin. But most of the 13 stories are rooted firmly in the present. Michael Wuliger's "Kaddish for Lazar" is the only tale to mention, even in passing, the Nazi era. And Rob Alef's "Dog Tag Afternoon" chronicles the death, at age 96, of one of the American pilots who flew the Berlin airlift. Otherwise, the stories focus on 21st-century misery. A band of Nigerian immigrants torments a not-entirely-innocent victim in "Local Train," by Max Annas. A family struggles to deal with their mentally ill sister in Zo Beck's haunting "Dora." A depressed artist becomes an accessory to crime in Miron Zownir's "Overtime." And in Ute Cohen's "Valverde," a boy toy takes his revenge on a quintet of rich bitches. Even seemingly innocent contemporary pleasures provide a platform for mischief. In Susanne Saygin's "The Beauty of Kenilworth Ivy," a vigilante finds Airbnb the perfect means of locating prey. A gang of clueless volunteers who run a co-op watering spot cope with a body stashed in their freezer in Robert Rescue's "One of These Days." And in "Fashion Week," Katja Bohnet shows that even the glittering annual couture fest can lead to mayhem.Wrtche keeps his promise to show Berlin as "always moving forward in the present" in this determinedly contemporary but genuinely noir collection. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Review by Publisher's Weekly Review


Review by Kirkus Book Review