Artistic creation : a phenomenological account /

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Bibliographic Details
Author / Creator:Mitscherling, Jeffrey Anthony, author.
Imprint:Lanham, Maryland : Lexington Books, [2019]
Description:xvii, 157 pages ; 24 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11876687
Hidden Bibliographic Details
Other authors / contributors:Fairfield, Paul, 1966- author.
ISBN:9781498593533
1498593534
9781498593540
Notes:Includes bibliographical references and index.
Summary:Artistic creation has proven remarkably resistant to philosophical analysis. Artists have long struggled to explain how they do what they do, and philosophers have struggled along with them. This study does not attempt to offer a comprehensive account of all creativity or all art. Instead it tries to identify an essential feature of an activity that has been cloaked in mystery for as long as history records. Jeff Mitscherling and Paul Fairfield argue that the process by which art is created has a good deal in common with the experience of the audience of a work, and that both experiences may be described phenomenologically in ways that show surprising affinities with what artists themselves often report.
Other form:Online version: Mitscherling, Jeffrey Anthony, author. Artistic creation Lanham : Lexington Books, 2019 9781498593540

MARC

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300 |a xvii, 157 pages ;  |c 24 cm 
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504 |a Includes bibliographical references and index. 
505 0 |a Tracking intentions -- What artists tell us -- Some central concepts and theories -- More clues from Plato and Aristotle -- A model of the work of art -- Structural and hermeneutic considerations involved in artistic creation and -- Aesthetic judgment -- Implications. 
520 8 |a Artistic creation has proven remarkably resistant to philosophical analysis. Artists have long struggled to explain how they do what they do, and philosophers have struggled along with them. This study does not attempt to offer a comprehensive account of all creativity or all art. Instead it tries to identify an essential feature of an activity that has been cloaked in mystery for as long as history records. Jeff Mitscherling and Paul Fairfield argue that the process by which art is created has a good deal in common with the experience of the audience of a work, and that both experiences may be described phenomenologically in ways that show surprising affinities with what artists themselves often report. 
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