Mirror, mirror : the prints of Alison Saar : from the collections of Jordan D. Schnitzer and his family foundation /

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Bibliographic Details
Imprint:[Portland, Oregon?] : Jordan Schnitzer Family Foundation, [2019]
©2019
Description:127 pages : color illustrations, color portraits ; 28 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11882419
Hidden Bibliographic Details
Varying Form of Title:Prints of Alison Saar
Other authors / contributors:Tallman, Susan, contributing essayist.
Doll, Nancy, 1947- contributing essayist.
Saar, Alison, artist, contributing essayist.
University of North Texas. Art Gallery, host institution.
Walton Arts Center, host institution.
Weatherspoon Art Museum, host institution.
Toledo Museum of Art, host institution.
Ruth Chandler Williamson Gallery, host institution.
University of Massachusetts at Amherst. University Museum of Contemporary Art, host institution.
Chazen Museum of Art, host institution.
ISBN:1732321213
9781732321212
Notes:Catalog of an exhibition held at University of North Texas Art Gallery, March 8-May 11, 2019; Joy Pratt Markham Gallery, Walton Arts Center, May 28-October 6, 2019; Weatherspoon Art Museum, November 3, 2019-February 23, 2020; Toledo Museum of Art, April 4-July 5, 2020; Ruth Chandler Williamson Gallery/Scripps College, September-November 2020; University Museum of Contemporary Art/UMass Amherst, February-April 2021; and Chazen Museum of Art/University of Madison-Wisconsin, June-September 2021.
Includes bibliographical references.
Description
Summary:

Mirror, Mirror collects the vast body of prints made by Los Angeles-based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged--empowering the content of the image while resisting the flat repetitive nature of the medium.

Item Description:Catalog of an exhibition held at University of North Texas Art Gallery, March 8-May 11, 2019; Joy Pratt Markham Gallery, Walton Arts Center, May 28-October 6, 2019; Weatherspoon Art Museum, November 3, 2019-February 23, 2020; Toledo Museum of Art, April 4-July 5, 2020; Ruth Chandler Williamson Gallery/Scripps College, September-November 2020; University Museum of Contemporary Art/UMass Amherst, February-April 2021; and Chazen Museum of Art/University of Madison-Wisconsin, June-September 2021.
Physical Description:127 pages : color illustrations, color portraits ; 28 cm
Bibliography:Includes bibliographical references.
ISBN:1732321213
9781732321212