Bauhaus Museum Weimar : the Bauhaus comes from Weimar! /

Bauhaus Museum Weimar : the Bauhaus comes from Weimar! /

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Bibliographic Details
Imprint:Munich : Hirmer Verlag GmbH : Klassik Stiftung Weimar, [2019]
©2019
Description:157 pages : illustrations (chiefly color), facsimile, portraits ; 23 cm
Language:English
Subject:
Bauhaus -- Exhibitions.
Bauhaus-Museum (Kunstsammlungen zu Weimar) -- Exhibitions.
Bauhaus.
Bauhaus-Museum (Kunstsammlungen zu Weimar)
Art schools -- Germany -- Weimar (Thuringia) -- Exhibitions.
Art, German -- Germany -- Weimar (Thuringia) -- Exhibitions.
Art, German.
Germany -- Weimar (Thuringia)
Exhibition catalogues.
Exhibition catalogs.
Exhibition catalogs.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11894591
Hidden Bibliographic Details
Varying Form of Title:Bauhaus comes from Weimar!
Other authors / contributors:Ackermann, Ute, editor, author.
Bestgen, Ulrike, editor.
Holler, Wolfgang, editor.
Klassik Stiftung Weimar, host institution.
ISBN:9783777432731
3777432733
Notes:"100 years of Bauhaus"--Half-title page.
Catalog of an exhibition held at Klassik Stiftung Weimar, from April 6, 2019.
Summary:Das Bauhaus kommt aus Weimar und kehrt im Frühjahr 2019 in ein neues Haus zurück. Im neu errichteten Bauhaus museum weimar werden erstmals die Schätze der ältesten Bauhaus-Sammlung der Welt geschlossen gezeigt. Der Band präsentiert jedoch nicht nur Design-Ikonen, sondern ermöglicht anhand einer Vielzahl weiterer Objekte einen Blick hinter die Fassade des Mythos Bauhaus.00Nicht als Museumsführer im klassischen Sinne, sondern als Themenband zu Kernfragen der Bauhauszeit wie dem Neuen Menschen oder der Gestaltung des Alltags eröffnet der offizielle Band zum neuen bauhaus museum weimar neue Perspektiven auf das Bauhaus. Am Beispiel zenƯtraler Aspekte der Ausstellung stellt sich damals wie heute die generelle Frage: ?Wie wollen wir leben?± Die BauhausƯIdee wird auf Potenziale für die Gestaltung der Gegenwart untersucht und als Teil eines lokalen wie weltweiten Netzwerkes verortet. Vertiefende Informationen regen zum Weiterdenken an. Das Buch beleuchtet zudem Architekturkonzept, BauƯprozess und städtebauliche Kriterien des Museumsneubaus von Heike Hanada. Exhibition: Bauhaus-Museum Weimar, Klassik Stiftung Weimar, Germany (starting 06.04.2019).
The year 1919 saw the founding of the legendary Bauhaus school in Weimar. This richly illustrated book, which accompanies the historic opening of the new Bauhaus Museum Weimar, showcases iconic objects from the museum's collection--the oldest such collection in the world--and offers essential context for understanding the truth behind the myth of the Bauhaus. The entries in this volume discuss core concepts of the period, such as the New Man and the design of everyday life. Throughout, the reader finds echoes of a simple question, one that is as pressing today as when the first members of the school posed it: "How do we want to live?" Importantly, the ideals of the Bauhaus school are discussed here with an eye to their current global relevance. In addition, the book traces the history of the Bauhaus Museum Weimar itself, opening a valuable new chapter in the story of one of the most influential movements of the twentieth century.
Table of Contents:
  • Finally a new Bauhaus Museum for Weimar / Wolfgang Holler
  • Foreword / the German Federal Cultural Foundation
  • Forward / the Free State of Thuringia
  • The Bauhaus Museum: Location and concept / Ulrike Bestgen
  • The art in the new building / Ulrike Bestgen
  • bauhausmuseumweimar / Heike Hanada
  • The Bauhaus Museum Weimar: A construction chronology / Press Department and the Department of Castles, Gardens, Buildings of the Klassik Stiftung Weimar
  • The new man / Ute Ackermann
  • Reform and revolution / Ute Ackermann
  • Norms / Ute Ackermann
  • The spirit of the Bauhaus is the experiment: the provisional experimental and open / Ute Ackermann
  • The institution / Ute Ackermann
  • 'The school is the servant of the workshop and will one day be absorbed by it' / Ute Ackermann
  • The artist is a craftsman in the original sense of the word / Ute Ackermann
  • Our game - our party - our work / Ute Ackermann
  • 'What remains is the metaphysical - the art' / Ulrike Bestgen
  • Walter Gropius founded a new school with a radical programme / Ulrike Bestgen
  • The stage: the school's centre of creativity / Ulrike Bestgen
  • An expressionistic Bauhaus stage? Lothar Schreyer fails / Ulrike Bestgen
  • The triadic ballet / Ulrike Bestgen
  • The mechanical ballet: A highlight of student work for the Weimar Bauhaus stage / Ulrike Bestgen
  • Never has there been more Bauhaus! The Bauhaus celebrates festivals / Ulrike Bestgen
  • Modern life / Ute Ackermann
  • Everything in reach: The kitchen / Anke Blümm
  • Practical and elegant: The bathroom / Ute Ackermann
  • The large-scale construction kit: Modular systems at the Bauhaus / Johannes Siebler
  • Furniture systems: The living room / Ute Ackermann
  • Children's closet and puppet theatre: Alma Sidehoff-Buscher, the great designer of children's toys / Ulrike Bestgen
  • The Bauhaus-Ausstellung of 1923: A landmark event / Ulrike Bestgen
  • Failure? And what remains? / Ulrike Bestgen
  • Walter Gropius: Does the Bauhaus belong in a museum? / Ute Ackermann
  • The Bauhaus in pictures / Ulrike Bestgen
  • Ludwig Mies van der Rohe: Designs for modern life / Ulrike Bestgen
  • Hannes Meyer - rethinking the world: 1926 and today / Maxi Götze
  • Bauhaus yesterday and today: Bauhaus from yesterday to today? / Valerie Stephani.

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