I was thinking about how Jennifer Moreau had told me I was never to describe her beauty, not to her, or to anyone else. When I asked her why I was silenced in this way, she said, 'Because you only have old words to describe me.' This was on my mind when I stepped onto the zebra crossing with its black and white stripes at which all vehicles must stop to allow pedestrians to cross the road. A car was coming towards me but it did not stop. I had to jump backwards and fell on my hip, using my hands to protect myself from the fall. The car stalled and a man rolled down the window. He was in his sixties, silver hair, dark eyes, thin lips. He asked if I was okay. When I did not answer he stepped out of his car. 'I apologize,' he said. 'You walked on to the crossing and I slowed down, preparing to stop, but then you changed your mind and walked back to the kerb.' His eyelids were quivering at the corners. 'And then without warning you lurched forward on to the crossing.' I smiled at his careful reconstruction of history, blatantly told in his favour. He furtively glanced at his car to check if it had been damaged. The wing mirror had shattered. His thin lips parted and hesighed sorrowfully, muttering something about how he had ordered the mirror from Milan. I had been up all night writing a lecture on the psychology of male tyrants and I'd made a start with the way Stalin flirted with women by flicking bread at them across the dinner table. My notes, about five sheets of paper, had fallen out of my leather sling bag and, embarrassingly, so had a packet of condoms. I started to pick them up. A small, flat, rectangular object was lying in the road. I noticed the driver was looking at my knuckles as I handed him the object, which felt warm and seemed to be vibrating in my palm. It was not mine soI assumed it was his. Blood dripped through my fingers. My palms were grazed and there was a cut on the knuckle of my left hand. I sucked it while he watched me, clearly distressed. 'Do you need a lift somewhere?' 'I'm okay.' He offered to take me to a pharmacy to 'clean up the wound', as he put it. When I shook my head, he reached out his hand and touched my hair, which was strangely comforting. He asked for my name. 'Saul Adler. Look, it's just a small graze. I have thin skin. I always bleed a lot, it's nothing.' He was holding his left arm in a strange way, cradling it with his right arm. I picked up the condoms and shoved them into my jacket pocket. A wind was up. The leaves that had been swept into small piles under the trees were blowing across the road. The driver told me the traffic had been diverted because there was a demonstration that day in London, and he'd wondered if Abbey Road was closed off. The detour was not signposted clearly. He did not understand why he'd become confused, because he often came this way to watch the cricket at Lord's, nearby. While he spoke, he gazed at the rectangular object in his hand. The object was speaking. There was definitely a voice inside it, a man's voice, and he was saying something angry and insulting. We both pretended not to hear his words. Fuck off I hate you don't come home 'How old are you, Soorl? Can you tell me where you live? 'I think the near collision had really scared the driver. When I told him I was twenty-eight, he didn't believe me and asked for my age again. He was so posh he pronounced my name as if a pebble had been inserted between the roof of his mouth and his lower lip. His silver hair was slicked back with a product that made it shine. I in turn asked for his name. 'Wolfgang,' he said very quickly, as if he did not want me toremember it. 'Like Mozart,' I said, and then, rather like a child showing his father where he'd been hurt after falling off a swing, I pointed to the cut on my knuckle and kept repeating that I was okay. His concerned tone was starting to make me tearful. I wanted him to drive off and leave me alone. Perhaps the tears were to do with my father's recent death, though my father was not as groomed or as gentle as shiny, silver-haired Wolfgang. To hasten his departure, I explained that my girlfriend was about to arrive any minute now, so he didn't have to hang around. In fact she was going to take a photograph of me stepping on to the zebra crossing in the style of the photograph on the Beatles album. 'Which album is that, Soorl?' 'It's called Abbey Road . Everyone knows that. Where have youbeen, Wolfgang?' He laughed but he looked sad. Perhaps it was because of the insultingwords that had been spoken from inside the vibrating object in his hand. 'And how old is your girlfriend?' 'Twenty-three. Actually, Abbey Road was the last album the Beatles recorded together at the EMI studios, which are just over there.' I pointed to a large white house on the other side of the road. 'Of course, I know that,' he said sadly. 'It's nearly as famous as Buckingham Palace.' He walked back to his car, murmuring, 'Take care, Soorl. You're lucky to have such a young girlfriend. By the way, what do you do?' His comments and questions were starting to irritate me - also the way he sighed, as if he carried the weight of the world on the shoulders of his beige cashmere coat. I decided not to reveal that I was a historian and that my subject was communist Eastern Europe. It was a relief to hear the animal growl of his engine revving as I stepped back on the pavement. Excerpted from The Man Who Saw Everything by Deborah Levy All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
