The mariner's meadow /

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Bibliographic Details
Author / Creator:Martínez Celaya, Enrique, 1964- artist, author, interviewee.
Imprint:London : Blain/Southern, 2019.
Description:155 pages : chiefly illustrations (chiefly color) ; 30 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11906551
Hidden Bibliographic Details
Varying Form of Title:Enrique Martínez Celaya : The mariner's meadow.
Other authors / contributors:Schwabsky, Barry, writer of supplementary textual content.
Grose, Anouchka, interviewer.
Tsampouraki, Alkistis, editor.
Clarke, Diana, editor.
Blain/Southern (Gallery : London, England), host institution, issuing body.
ISBN:9781999596231
1999596234
Notes:Published on the occasion of the exhibition held at Blain/Southern, London, UK 23 May-13 July 2019.
Includes bibliographical references.
Summary:This publication accompanies The Mariner's Meadow, Enrique Martínez Celaya's first exhibition with Blain/Southern. The volume includes newly-commissioned essays by art historian and poet Barry Schwabsky, a conversation between Martínez Celaya and the writer and psychoanalyst Anouchka Grose, as well as the artist's texts and his selection of poetry. Alongside works from the exhibition, the catalogue also features photographs of Martínez Celaya at work in his studio, his materials, and notes, shedding light on his creative process. --Blain/Southern website.
Blain/Southern London presents The Mariner's Meadow, the gallery's first exhibition with Los Angeles-based artist, Enrique Martínez Celaya. The exhibition unveils sixteen previously unseen paintings, in which the artist focuses on the sea and its relation to the human subconscious. Despite leaving the Caribbean in 1982, the sea has remained with Martínez Celaya (b. 1964, Havana) as a "stowaway". "The sea," he writes, "was the end of all paths and the edge of all comings and goings, the reference point for conversations, and the all-absorbing witness of a history of colonialism and longing." In these paintings, the artist portrays the sea in its various moods: at times passive, at others exerting significant impact on the protagonists' journeys. Although often working in multiple mediums, including sculpture and the written word, the nature of painting and its capacity to create and sustain meaning remains one of Martínez Celaya's central concerns. The artist views painting as a sustained process of inquiry, and often significantly reworks an artwork several times over the course of months or years. --Blain/Southern website.

MARC

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245 1 4 |a The mariner's meadow /  |c Enrique Martínez Celaya ; edited by Alkistis Tsampouraki and Diana Clarke. 
246 3 |a Enrique Martínez Celaya :  |b The mariner's meadow. 
264 1 |a London :  |b Blain/Southern,  |c 2019. 
300 |a 155 pages :  |b chiefly illustrations (chiefly color) ;  |c 30 cm 
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500 |a Published on the occasion of the exhibition held at Blain/Southern, London, UK 23 May-13 July 2019. 
504 |a Includes bibliographical references. 
520 8 |a This publication accompanies The Mariner's Meadow, Enrique Martínez Celaya's first exhibition with Blain/Southern. The volume includes newly-commissioned essays by art historian and poet Barry Schwabsky, a conversation between Martínez Celaya and the writer and psychoanalyst Anouchka Grose, as well as the artist's texts and his selection of poetry. Alongside works from the exhibition, the catalogue also features photographs of Martínez Celaya at work in his studio, his materials, and notes, shedding light on his creative process. --Blain/Southern website. 
520 8 |a Blain/Southern London presents The Mariner's Meadow, the gallery's first exhibition with Los Angeles-based artist, Enrique Martínez Celaya. The exhibition unveils sixteen previously unseen paintings, in which the artist focuses on the sea and its relation to the human subconscious. Despite leaving the Caribbean in 1982, the sea has remained with Martínez Celaya (b. 1964, Havana) as a "stowaway". "The sea," he writes, "was the end of all paths and the edge of all comings and goings, the reference point for conversations, and the all-absorbing witness of a history of colonialism and longing." In these paintings, the artist portrays the sea in its various moods: at times passive, at others exerting significant impact on the protagonists' journeys. Although often working in multiple mediums, including sculpture and the written word, the nature of painting and its capacity to create and sustain meaning remains one of Martínez Celaya's central concerns. The artist views painting as a sustained process of inquiry, and often significantly reworks an artwork several times over the course of months or years. --Blain/Southern website. 
600 1 0 |a Martínez Celaya, Enrique,  |d 1964-  |v Exhibitions. 
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650 0 |a Painting, Modern  |y 21st century  |v Exhibitions. 
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700 1 |a Tsampouraki, Alkistis,  |e editor. 
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