Culture /

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Bibliographic Details
Author / Creator:Eagleton, Terry, 1943- author.
Imprint:New Haven, CT : Yale University, [2016]
©2016
Description:1 online resource (ix, 177 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11909804
Hidden Bibliographic Details
ISBN:9780300221725
030022172X
9780300218794
0300218796
Notes:Includes bibliographical references and index.
Print version record version.
Summary:Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualisations of it have evolved over the last two centuries--from rarified sphere to humble practices, and from a bulwark against industrialism's encroaches to present-day capitalism's most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat 'unfashionable' thinkers like Johann Gottfried Herder and Edmund Burke as well as T.S. Eliot, Matthew Arnold, Raymond Williams and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule of the 'uncultured' masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society. -- Inside jacket flap.
Other form:Print version: Eagleton, Terry, 1943- Culture. New Haven, CT : Yale University, 2016 9780300218794
Review by Choice Review

Eagleton (English literature, Univ. of Lancaster, UK) addresses the many guises in which culture appears in discourse. A prolific literary critic with a Marxist approach, Eagleton deploys a number of strategies to examine the concept of culture. In his first chapter, he offers a brief overview of the evolution of the word culture and its distinction from civilization. In ensuing chapters, he looks at culture from the vantage point of various scholarly methodologies, for example examining it as "social unconscious" and addressing postmodernist ideas about the value of diversity and multiplicity. Eagleton references cultural figures ranging from T. S. Eliot to Karl Marx, from Madonna to Oscar Wilde. One of the book's particular strengths is Eagleton's ability to make complicated theoretical issues accessible to almost any reader. Eagleton's clear thinking is reflected in his clear prose style. That is not to say, however, that all readers will agree with his conclusions, especially because he takes issue with longstanding assumptions about the way people think about culture. Summing Up: Recommended. Lower- and upper-division undergraduates; graduate students; general readers. --Joe Moffett, Kentucky State University

Copyright American Library Association, used with permission.
Review by Booklist Review

Culture has four major meanings, prominent public intellectual Eagleton (How to Read Literature, 2013) says. Three of those artistic and intellectual work; spiritual and intellectual development; and a people's customs, values, beliefs, and symbolic practices tend to be subsumed by the fourth, an entire way of life. Keeping all four definitions in play, Eagleton discusses culture in relation to civilization; postmodern prejudices (diversity, cultural relativism); Wittgenstein's formulation of the social unconscious; Oscar Wilde's socialist aestheticism; commoditization; and social and political significance. So doing, he explores the cultural thought of major thinkers including, besides those already mentioned, T. S. Eliot, Matthew Arnold, New Left inspirer Raymond Williams, and two eighteenth-century figures important to traditionalists and revolutionaries alike, Edmund Burke and J. G. Herder. In conclusion, Eagleton projects, from the contemporary attrition of academic literary studies, the waning of the political utility of culture. The great questions confronting twenty-first-century humanity are not cultural but far more mundane and material. . . . War, hunger, drugs, arms, genocide, disease, ecological disaster. Cultural politicians would do better to remain silent. Informative, cogent, perhaps galvanizing.--Olson, Ray Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Fans of esteemed literary theorist Eagleton (Why Marx Was Right) will be pleased with this analysis of culture as the sum of "values, customs, beliefs and symbolic practices." Eagleton carefully distinguishes culture from civilization, "a world which is humanly manufactured." He places particular emphasis on two 18th-century thinkers, political theorist Edmund Burke and philosopher Johann Gottfried Herder, for realizing culture's populist potential. His historical survey, which also touches on several later writers (Oscar Wilde, T.S. Eliot, Raymond Williams), traces his subject from the French Revolution to the War on Terror. Eagleton argues that contemporary crises, such as "the clash between Western capitalism and radical Islam," are wrongly reduced to clashes of culture when they are geopolitical. In a diatribe against cultural studies, he accuses the discipline of not challenging class disparities, "deal[ing] in sexuality but not socialism, transgression but not revolution, difference but not justice, identity but not the culture of poverty." He bemoans modern capitalism's nefarious influence, arguing that this has led to "the global decline of the universities," in which they have become "pseudo-capitalist enterprises under the sway of a brutally philistine managerial ideology." Though these scathing critiques come across as shortsighted, they still contain Eagleton's characteristic wit. He does not make the "true" definition of culture any less elusive, but his book is nonetheless an impressive display of erudition. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Choice Review


Review by Booklist Review


Review by Publisher's Weekly Review