Intermediality and spectatorship in the theatre work of Robert Lepage : the solo shows /

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Bibliographic Details
Author / Creator:	Albacan, Aristita I., author.
Imprint:	Newcastle upon Tyne : Cambridge Scholars Publishing, 2016.
Description:	1 online resource (vi, 334 pages) : illustrations
Language:	English
Subject:	Lepage, Robert, -- 1957- -- Criticism and interpretation. Lepage, Robert, -- 1957- Theater -- Production and direction. Theater -- Production and direction. Criticism, interpretation, etc.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/11910801

Hidden Bibliographic Details
ISBN:	9781443812894 1443812897 144389785X 9781443897853
Notes:	Includes bibliographical references. Print version record.
Summary:	Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon's Trilogy (1984), Lepage's work became an object of particular scrutiny for critics and scholars, and continues to be subject to media exposure, inspiring cultural critique, academic study and the admiration of audiences across the world. A recurrent fascination with the formal novelty of his theatrical approach im.
Other form:	Print version: Albacan, Aristita I. Intermediality and spectatorship in the theatre work of Robert Lepage. Newcastle upon Tyne : Cambridge Scholars Publishing, 2016 144389785X

Table of Contents:

Table of Contents; List of illustrations; Foreword; Introduction; Short Outline of International Research; The Concept of Distance in Theatre; The Remediation of Theatre; Hypothesis and Integration of Research; Chapter One; 1.1. Robert Lepage and the Québécois Context; 1.1.1. The Québécois Theatrical Context and its Development; 1.1.2. Robert Lepage's Formation; 1.1.3. The Emancipation of Québécois Theatre; 1.1.4. Théâtre Repère and the Repère/RSVP Cycles; 1.1.5. Ex Machina and its Relationship with the Québécois Identity; 1.2. Lepage's Method of Creation; Chapter Two
2.1. The Concept of Intermediality2.2. Intermediality and Theatre as a Medium; 2.3. Intermediality and Spectatorship in Contemporary Performance; 2.4. The Intermediality in Robert Lepage's Original Theatre Work; Chapter Three; 3.1. Audience and Spectatorship in Theatre Studies; 3.2. Spectatorship in Media Studies; 3.3. Spectatorship in Robert Lepage's Theatre Work; Chapter Four; Vinci; Needles and Opium; Elsinore; The Far Side of the Moon; The Andersen Project; Conclusion; Conclusion; Appendix A; Appendix B; Bibliography

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