The Continuum encyclopedia of animal symbolism in art /

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Bibliographic Details
Author / Creator:Werness, Hope B.
Imprint:New York : Continuum, ©2003.
Description:xvii, 476 pages : illustrations ; 26 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11939419
Hidden Bibliographic Details
Varying Form of Title:Encyclopedia of animal symbolism in art
ISBN:0826415253
9780826415257
Notes:Includes bibliographical references and index.
Summary:"The focus of this encyclopedia is on animals and their symbolism in diverse world cultures and in different eras of human history. Most entries on particular animals begin with brief zoological information, which includes the animal's scientific name and classification as well as its range, habitat, and behavior. Main, general entries on cultural, chronological, and geographical areas include cross-references to specific cultures discussed in greater detail. Other broader entries address the significance of animals in their own environments (e.g., architecture of animals, tool use by animals), and still others deal with animals in the human sphere (e.g., pet animal, zoo). The ways that people think about animals and what people do to and with animals as a result are discussed in more theoretical entries, such as anomalous animal, collectives, complementary duality. Finally, some entries deal with the ways in which animals are depicted (composition, X-ray images). The work concludes with an Appendix of Animal Taxonomy, a Bibliography, and an Index of Names."--Jacket.
Review by Choice Review

Werness's selective guide to animals as depicted in art through the ages, while international in scope (it includes brief entries on various cultural groups), emphasizes Western art, artists, and traditions. Entries, ranging in length from several pages (e.g., eagle, horse, monkey) to a brief paragraph or two (seal, squid, stag beetle), begin with biological information about the animal, including its genus and species, range, habitat, and behavior. General entries cover cultural, chronological, or geographical areas, while more specific entries address animals in their own environments (e.g., tool use by animals) or in the human realm (e.g., pets). Entries for artists vary from relatively long with numerous cross-references (e.g., Albrecht Durer), to brief mention (e.g., John James Audubon). Overall, entries are evocative and illustrative rather than exhaustive. An appendix delineates animal taxonomy, indicating the common names of animals and pointing to those illustrated in the encyclopedia. See references to full entries are printed in capitals. Virtually every page has at least one black-and-white drawing. At the end are a useful bibliography and an index of persons that indicates main entries in capitals. Affordably produced, this volume finds a niche only partially filled by such guides as Marvin Shaw and Richard Warren's A Viewer's Guide to Art: A Glossary of Gods, People and Creatures (1991). ^BSumming Up: Recommended. All levels. G. M. Herrmann SUNY College at Cortland

Copyright American Library Association, used with permission.
Review by Choice Review