Music in time : phenomenology, perception, performance /

Music in time : phenomenology, perception, performance /

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Bibliographic Details
Imprint:Cambridge, Massachusetts : Harvard University Department of Music, 2016.
©2016
Description:x, 341 pages : illustrations, charts, music ; 24 cm.
Language:English
Series:Isham Library papers ; 9
Harvard publications in music ; 24
Isham Library papers ; 9.
Harvard publications in music ; 24.
Subject:
Musical meter and rhythm.
Musical meter and rhythm.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/11949754
Hidden Bibliographic Details
Other authors / contributors:Clark, Suzannah, 1969- editor.
Rehding, Alexander editor.
Hasty, Christopher Francis honoree.
ISBN:9780964031760
0964031760
Notes:Festschrift for Christopher Hasty.
Includes bibliographical references (pages 319-338) and index.
Summary:Music exists in time. All musicians know this fundamental truth?but what does it actually mean? Thirteen scholars probe the temporality of music from a great variety of perspectives, in response to challenges that Christopher F. Hasty, Walter Naumburg Professor of Music at Harvard University, laid out in his groundbreaking 'Meter as Rhythm'. 00The essays included here bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies. In these investigations, music emerges as an art form that has an important lesson to teach. Not only can music be understood as sounds shaped in time but?more radically?as time shaped in sounds.

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